Price : Rp. 95.000.000,-
Digital Console for Live and Studio with 40 Input Channels, 32 MIDAS Microphone Preamplifiers
and 25 Mix Buses
Live performance and studio recording digital console with up to 40 simultaneous input channels
32 award-winning MIDAS microphone preamplifiers
25 time-aligned and phase-coherent mix buses
AES50 networking allows up to 96 inputs and 96 outputs
Open architecture allows for future 96 kHz operation
192 kHz ADC and DAC converters for outstanding audio performance
Industry-leading design by Bentley* Motors Designer
High-performance carbon fibre, aluminium and high-impact steel structure
40 bit floating point digital signal processing
8 DCA and 6 mute groups
8 stereo signal processing effects engines
25 MIDAS PRO motorised 100 mm faders
Daylight viewable 7" full colour TFT display screen
32 x 32 channel USB 2.0 audio interface
DAW remote control emulations of Mackie Control* and HUI* protocols
Optional wireless remote control with MIDAS Apps for iPhone* and iPad*
Designed and engineered in England
Each M32 comes loaded with all of the
connectivity, I/O and functionality you need, right out of the box – but
it doesn’t end there. Onboard USB 2.0 connectivity delivers a full 32 x
32 channels of audio and MIDI to your DAW. Integrated multi-channel
digital audio interfaces connect to remote stage boxes and/or the P16
Personal Monitor System. Native Ethernet control enables remote
operation by computer, iPad or iPhone over a wired or wireless network,
across the room – or across the planet!
Dual AES50 network ports featuring KLARK TEKNIK SuperMAC technology support up to
96 inputs and 96 outputs over shielded (STP) CAT5 cable, allowing remote stage boxes
and sharing signals among several connected M32s and other MIDAS, KLARK TEKNIK and
AES50-equipped products.
On-board ULTRANET provides a 16-channel digital mix direct to P16 Personal Monitor
Mixers, without added hardware, cost or latency.
Ethernet, USB and MIDI are all standard features on M32.
An additional expansion slot is also included, so that the M32 can connect to current
and future digital audio networks and link protocols via a wide range of expansion
cards including USB, ADAT*, MADI and Audinate Dante*.
POWERPLAY P16 BEHRINGER
Personal Monitoring System
Easy as a handshake. Plug the P16-M personal monitor mixer into M32's ULTRANET port
with a shielded (STP) CAT5 cable, and let the performer dial in their ideal 16-channel
personal monitor mix. You can daisy-chain additional P16-M units, or use the P16-D
ULTRANET distributor to set up a plug and play monitor system that accommodates
up to 48 individual P16-M units.
DL16
Digital Snake
The MIDAS DL16 digital stage box closes the gap between stage and FOH (Front of
House) by placing 16 fully-programmable, remotely controllable high-end MIDAS mic
preamps and 8 analogue, balanced XLR returns at the stage end. Connecting over a
single shielded (STP) CAT5 cable, up to three DL16 or MIDAS DL150 stage boxes can
be daisy-chained to deliver 48 channels in and 24 out to the stage. Dual AES50 ports
on the M32 allow up to 96 input channels to be connected and routed in the same
system.
- AES50 network ports featuring KLARK TEKNIK SuperMAC technology for ultra-low latency
(in-ear compatible)
- Up to 100 m networking capability via CAT5 cable (not included)
- Dual AES50 ports, each for cascading up to three DL16 units – no merger or router required
- Precise LED metering plus 7-segment displays for signal control on stage
- Phones output assignable to any of the inputs/outputs for on-stage monitoring
- Connectivity for P16-M Personal Monitoring System for in-ear applications (not included)
- Dual ADAT outputs for use in splitter mode and stand-alone digital multi-core applications
- MIDI in/out for bidirectional communication between FOH console and on-stage MIDI
devices
Technical Specifications
Processing
|
Input Processing Channels
|
32 Input Channels, 8 Aux Channels, 8 FX Return Channels
|
Output Processing Channels
|
16
|
16 aux buses, 6 matrices, main LRC
|
100
|
Internal Effects Engines (True Stereo / Mono)
|
16
|
Internal Show Automation (structured Cues / Snippets)
|
500 / 100
|
Internal Total Recall Scenes (incl. Preamplifiers and Faders)
|
100
|
Signal Processing
|
40-Bit Floating Point
|
A/D Conversion (8-channel, 96 kHz ready)
|
114 dB Dynamic Range (A-weighted*)
|
D/A Conversion (stereo, 96 kHz ready)
|
120 dB Dynamic Range (A-weighted*)
|
I/O Latency (Console Input to Output)
|
0.8 ms
|
Network Latency (Stage Box In > Console > Stage Box Out)
|
1.1 ms
|
|
|
Connectors
|
MIDAS PRO Series Microphone Preamplifier (XLR)
|
32
|
Talkback Microphone Input (XLR)
|
1
|
RCA Inputs / Outputs
|
2
|
XLR Outputs
|
16
|
Monitoring Outputs (XLR / ¼" TRS Balanced)
|
2
|
Aux Inputs/Outputs (¼" TRS Balanced)
|
6
|
Phones Output (¼" TRS)
|
2 (Stereo)
|
Digital AES/EBU Output (XLR)
|
1
|
AES50 Ports (KLARK TEKNIK SuperMAC)
|
2
|
Expansion Card Interface
|
32 Channel Audio Input / Output
|
ULTRANET P-16 Connector (No Power Supplied)
|
1
|
MIDI Inputs / Outputs
|
1
|
USB Type A (Audio and Data Import / Export)
|
1
|
USB Type B, rear panel, for remote control
|
1
|
Ethernet, RJ45, rear panel, for remote control
|
1
|
|
|
Mic Input Characteristics
|
Design
|
MIDAS PRO Series
|
THD+N (0 dB gain, 0 dBu output)
|
<0 .01="" p="" unweighted="">
|
THD+N (+40 dB gain, 0 dBu to +20 dBu output)
|
<0 .03="" p="" unweighted="">
|
Input Impedance (Unbalanced / Balanced)
|
10 kΩ / 10 kΩ
|
Non-Clip Maximum Input Level
|
+23 dBu
|
Phantom Power (Switchable per Input)
|
+48 V
|
Equivalent Input Noise @ +45 dB gain (150 Ω source)
|
-125 dB (22 Hz-22 kHz, unweighted)
|
CMRR @ Unity Gain (Typical)
|
>70 dB
|
CMRR @ 40 dB Gain (Typical)
|
>90 dB
|
|
|
Input/Output Characteristics
|
Frequency Response @ 48 kHz Sample Rate
|
0 dB to -1 dB (20 Hz-20 kHz)
|
Dynamic Range, Analogue In to Analogue Out
|
106 dB (22 Hz-22 kHz, unweighted)
|
A/D Dynamic Range, Preamplifier and Converter (Typical)
|
109 dB (22 Hz-22 kHz, unweighted)
|
D/A Dynamic Range, Converter and Output (Typical)
|
109 dB (22 Hz-22 kHz, unweighted)
|
Crosstalk Rejection @ 1 kHz, Adjacent Channels
|
100 dB
|
Output level, XLR Connectors (Nominal / Maximum)
|
+4 dBu / +21 dBu
|
Output Impedance, XLR Connectors (Unbalanced / Balanced)
|
50 Ω / 50 Ω
|
Input impedance, TRS Connectors (Unbalanced / Balanced)
|
20 kΩ / 40 kΩ
|
Non-Clip Maximum Input Level, TRS Connectors
|
+21 dBu
|
Output Level, TRS (Nominal / Maximum)
|
+4 dBu / +21 dBu
|
Output Impedance, TRS (Unbalanced / Balanced)
|
50 Ω / 50 Ω
|
Phones Output Impedance / Maximum output Level
|
40 Ω / +21 dBu (Stereo)
|
Residual Noise Level, Out 1-16 XLR Connectors, Unity Gain
|
-85 dBu 22 Hz-22 kHz unweighted
|
Residual Noise Level, Out 1-16 XLR Connectors, Muted
|
-88 dBu 22Hz-22kHz unweighted
|
Residual Noise Level, TRS and Monitor out XLR Connectors
|
-83 dBu 22 Hz-22 kHz unweighted
|
|
|
Display
|
Main Screen
|
7" TFT LCD, 800 x 480 Resolution, 262k Colours
|
Channel LCD Screen
|
128 x 64 LCD with RGB Colour Backlight
|
Main Meter
|
24 Segment (-57 dB to Clip)
|
|
|
Power
|
Switch-Mode Power Supply
|
Auto-Ranging 100-240 VAC (50/60 Hz)
|
Power Consumption
|
120 W
|
|
|
Physical
|
Standard Operating Temperature Range
|
5°C – 40°C (41°F – 104°F)
|
Dimensions
|
891 x 612 x 256 mm (35.1 x 24.1 x 10.1")
|
Weight
|
25 kg (55 lbs)
|
