Monday, March 31, 2014

BEHRINGER EPS500MP3 Portable PA System with MP3 Player

Pricelist : Rp. 9.300.000,-


Ultra-Compact 500-Watt 8-Channel Portable PA System with MP3 Player, Reverb and Wireless Option
Looking for the ultimate, all-in-one portable PA system? The new EUROPORT EPS500MP3 sets up in less than five minutes and delivers articulate,high fidelity performance, yet weighs only 41.3 lbs/18.8 kg. With its dual 250-Watt amplifiers and custom-designed 2-way loudspeakers, the EPS500MP3 can easily fill a medium- to large-sized room with crystal-clear, vibrant sound—and it’s professional-grade features will make you the star of any event!

Superb Sound Quality

Since BEHRINGER is known for making some of the best-sounding audio mixers, amplifiers and loudspeakers on the planet, it should come as no surprise that the EPS500MP3 provides far superior sound quality than other products in this class. The two satellite loudspeakers,each with a custom-designed 8" woofer and 1" compression driver, provide the rich sonic performance you would expect from a much larger system.And with 500 Watts of stereo output,the EPS500MP3 has the power to deliver your message loud and clear, and keep the party going all night.

Everything You Need

When it’s time for the show to begin, setting up the sound system should be easy, right? That’s why we put everything you’ll need into one beautiful,easy to move and use package. We even provide a storage compartment for the included microphone, mic cable, two speaker cables and other accessories.You never have to search high and low for what you need—it’s all in there.And when the show is over, just put everything back in its place, latch it all together and wheel it away. It just doesn’t get any easier than this!

Control Freak…

Channels 1 – 4 feature our high-quality XENYX Mic Preamps, which have been praised by audio professionals for their transparency and massive headroom.What does this mean to you? It means you get a truly clean input signal without unwanted coloration or distortion. We’ve provided +48 Phantom Power, so you can even use studio-grade condenser mics,and given each input channel our highly musical 2-band EQ (Bass and Treble).
System optimization couldn’t be easier,just flip the Music/Speech switch to select the proper equalization for your purpose. We’ve also included a user-defeatable Voice-Over-Priority function that automatically lowers the stereo channels when you’re on the mic, so all of your important announcements will be heard.

The Sweet Sound of Reverb

If you’re making a speech, chances are you won’t need it, but if you’re playing a musical instrument and/or singing,you might want to add some effects. So, we’ve included a great-sounding digital Reverb processor to help sweeten your performance. This studio-grade vocal effect will have you sounding just like a pro, and it is so easy to use.

Onboard MP3 Player

One of the coolest features of the EPS500MP3 system is its embedded MP3 player. Just plug in your favorite playlist (via USB stick) and use the 4-button pad with its Random, Play/Pause, Rewind and Forward control switches. From break and background music to high resolution karaoke performance tracks,this MP3 player can handle it all.

Wireless Wonderland

Until now, adding wireless microphones to a PA system meant either a mess of wires and dangling receivers or worse, a built-in receiver with dodgy performance and a hefty price tag. Those days are officially over thanks to BEHRINGER ULM Series wireless microphones and our exclusive, ultra-compact 2-channel receiver. Just plug the receiver into the dedicated wireless port and instantly enjoy two channels of supremely stable, natural-sounding wireless performance. Sold separately and available in hand-held or headset models, BEHRINGER ULM Series wireless mics will immediately (and affordably) expand your EPS500MP3 to handle virtually any live sound application.

It’s All About Connections

The EPS500MP3 comes ready for your input, literally. Channels 1 - 4 accept balanced XLR mics, as well as balanced and unbalanced ¼" line-level sources,such as electronic keyboards and the like.Stereo channels 5/6 and 7/8 accommodate RCA and ¼" inputs, such as drum machines,keyboard sound modules, etc. All in all,there are enough mic and line-level inputs to handle a small band.


Whether you’re giving a speech at the company picnic, pounding out original music in your garage, or cranking it up at the neighborhood bar, we think you will agree the EPS500MP3 provides extreme value as a complete, portable PA solution.Compare it to the competition and you’ll own BEHRINGER—every time!


  • Ultra-compact 8-channel PA system with dual speakers and detachable 500 Watt powered mixer
  • Enormous power, incredible sonic performance, and super-lightweight
  • Mixer can be used either while installed in the speaker or detached for easy positioning and access
  • High-performance MP3 player included to play audio files via USB stick
  • Studio-grade stereo reverb adds finishing touch to your sound
  • "Wireless-ready" for high-quality BEHRINGER digital wireless system (not included)
  • BEHRINGER MPA40BT-PRO Portable PA System

    Pricelist : Rp. 3.750.000,-


    All-in-One Portable 40-Watt PA System with Bluetooth Connectivity, Battery Operation and Transport Handle
    Use the extremely lightweight,yet powerful EUROPORT MPA40BT-PRO PA system to stream songs from your Bluetooth-enabled iOS device at the next company picnic,or to get your message across on the playing field. With its 40-Watt amplifier and premium 2-way speaker system, the EUROPORT MPA40BT-PRO provides superb sound—and the rechargeable battery lasts up to 12 hours. Add one or two of our ULM digital microphones, and you’ve got a supremely easy-to-use wireless, go-anywhere sound system on wheels!

    Bluetooth Ready

    The days of tape decks, CD players and even MP3 devices are long gone. Now your music lives on your phone or computer tablet, so you can stop searching for those outdated cables and fancy adapters. Now with a simple wave of your hand,you can stream music from any Bluetooth audio-equipped device such as your iPad, iPod touch, iPhone, even your laptop computer. Now, isn’t that easy

    Built-in Mixer & Wireless Option

    Both models feature built-in 2-channel mixers with the same ultra-low noise,high-headroom mic preamps that have made BEHRINGER mixers legendary.Also included is 2-band equalizer,plus Bluetooth for streaming audio directly from your iOS device, and our proprietary ULM wireless technology.Sold separately, BEHRINGER ULM Series digital mics integrate seamlessly to expand your MPA40BT-PRO system to handle virtually any live sound application.
    Whether you set your MPA40BT-PRO speakers on a table, or mount them on optional speaker stands, you’ll enjoy music streaming through this rich sounding, easy-to-setup system in mere moments.


  • Ultra-compact 8-channel PA system with dual speakers and detachable 500 Watt powered mixer
  • Enormous power, incredible sonic performance, and super-lightweight
  • Mixer can be used either while installed in the speaker or detached for easy positioning and access
  • High-performance MP3 player included to play audio files via USB stick
  • Studio-grade stereo reverb adds finishing touch to your sound
  • "Wireless-ready" for high-quality BEHRINGER digital wireless system (not included)

  • Retractable luggage-style handle & sturdy wheels provide effortless transport
  • High-quality dynamic microphone with cable included
  • “Wireless ready" for high-quality BEHRINGER ULM digital wireless microphone system (not included)
  • 2 microphone inputs with individual volume control
  • Additional Aux input to connect to your CD player
  • Effective and extremely musical 2-band EQ for perfect sound tuning
  • Powerful 8" woofer and high-resolution tweeter driven by a Class-D amplifier
  • Integrated stand mounting with 35 mm pole socket
  • "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~) and low power consumption for energy savings
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany


    Saturday, March 29, 2014

    JTS TXB-7M

    Pricelist : Rp. 3.500.000,-

    TXB-7M Drum & Percussion Microphone 7-Kit
    • Hard-shell carry case against microphone damage.
    • Convenient and tender design. 
    • Space available for : TXB-7M : 1 TX-2 and 4 TX-6, 2 TX-9

    JTS GM5212/ST5030 Universal Gooseneck Microphone

    Price : Rp. 1.020.000,-

    JTS ST5030 Universal Wired Gooseneck Microphone Base
    Quick mount die-cast base.
    Magnetic On/Off switch permits minimum noise.
    Special anti-slip pad ensures firm standing and less bounced noise from desk.
    Selectable switch for all kinds of condenser and dynamic gooseneck microphones.

    • Frequency Response: 20 to 20,000Hz
    • Power Requirement:Phantom power 48V or battery power 1.5V*2
    • Current Consumption-Stand-by: 0.62mA
    • Current Consumption-Operating: 0.88mA
    • Switches:
    • Microphone selection:
    • ECM MIC unbalanced input,ECM MIC balanced input, Dynamic MIC input
    • Push control: on/off
    • Impedance: Rated impedance 600Ω for connection to microphone inputs rated low Z
    • Connector: audio output (XLR 3P Male)
    • Net Weight: 1.22kg
    GM-5212 Gooseneck Microphone
    Excellent polar pattern allows outstanding miking
    High quality gooseneck permits accurate positioning
    High sensitivity allows sound pick-up smartly
    Equipped with XLR connector
    Windscreen for shielding against popping noise

    ■ Type: Back Electret Condenser
    ■ Frequency Response: 80 to 18,000Hz
    ■ Polar Pattern: Supercardioid
    ■ Output Connector:GM-5218 :XLR(M) type (power module)
    ■ Sensitivity (at 1,000Hz): -60dB(1mV)
    ■ Impedance: 220Ω
    ■ Max. SPL for 1% THD: 125dB
    ■ Gooseneck Length: 12" (305mm)

    JTS CM-804iF Double Ear-hook Omni-directional Microphone

    Price : Rp. 900.000,-

    Available Color
    The growing family of headset microphones enables you to customize any application with the right microphones.
    These microphones feature versatile adjustments for best fitting and picking up. The ergonomic design provides the ultimate low profile.
    Available in black and beige with various connecting configuration for other brands’ wireless systems.

    801C4 (4 pin mini XLR)
    801C3 (3 pin mini XLR)
    801CS (3.5 stereo plug)
    Frequency Response 60 ~ 15,000Hz
    Polar Pattern Omni-directional
    Sensitivity (at 1KHz) -64±3 dB* (0.63mV)*0dB=1V/μbar
    Impedance 1.8kΩ
    Max. SPL for 1% THD 130dB

    Tuesday, March 25, 2014

    PreSonus StudioLive 24.4.2 Digital Mixer

    Pricelist : Rp. 42.525.000,-

    More Than a Mixer—a Complete System

    You'll never go back to an old-skool analog mixer once you've used StudioLive™. With its incredible signal-processing power on every channel, easy store and recall of every setting, and the ability to record it all with just two mouse clicks, you'll get spoiled fast! Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, it delivers the most creative environment possible for both live performance and studio music production.
    But StudioLive is not simply a mixer, it's a rapidly growing family of state-of-the-art, integrated hardware-software mixing and recording systems that deliver the features you need for live sound, live recording, and studio recording.
    The StudioLive 24.4.2 is a fine choice for those who want to mix small to medium-sized shows and worship services, and it's a great choice for club systems, corporate applications, and educational institutions. And it's the perfect hardware core for a project studio.
    Or daisy-chain two StudioLive 24.4.2s to form a 48x4x2 performance console for mid-sized shows and events.
    Here, in one device, are high-headroom XMAX™ microphone preamplifiers, a built-in FireWire recording and playback interface, more than 90 signal processors, a big library of DSP effects, 10 aux buses, 4 subgroups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback, and more.
    Yet despite its many controls and features, it's compact and easy to transport.
    Build live mixes that glisten with clarity and detail—then record and enhance the performance with the power of StudioLive 24.4.2. Get creative in the studio. Build mixes, loops, sound effects, and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins and completely automate your entire performance.
    StudioLive 24.4.2 revolutionizes music production, opening endless creative possibilities.

    Control Your Sound Your Way!

    With a PreSonus StudioLive-series digital mixer, you not only get high-end sound and tremendous processing, mixing, and recording power, you can control all of this sonic might from virtually anywhere. Want to touch your mix with the physical feedback of real faders and rotary knobs and an intuitive, analog-like user interface? The StudioLive delivers big time; sound people who have only mixed with analog boards quickly become comfortable working with a StudioLive.
    ↓ Read more about the StudioLive’s analog-like ease-of-use.

    Virtual StudioLive: The magic of computer control.

    Despite its analog-like mixing surface, this is very much a digital console, and it offers features no analog mixer—and very few digital boards—can match. For example, the ability to control the StudioLive mixer from a laptop adds tremendous flexibility and convenience—and with the bundled Virtual StudioLive bidirectional control/editor/librarian software, you get it all for free.
    Written exclusively for StudioLive mixers, Virtual StudioLive (VSL) provides a complete visual representation of the mixer, allowing you to control the features with a mouse, trackpad, or trackball on a FireWire-equipped Mac® or PC. Add third-party VPN software, and you can even control StudioLive mixers over the Internet—ideal for contractors. To get a competing mixer with computer control even close to this complete, you'd have to pay several times as much.
    Learn more about Virtual StudioLive.

    Even better: wireless control!

    You’re mixing a live show with an old-skool mixer—make that any mixer other than StudioLive—and you need to check the sound underneath the balcony—or in the balcony, for that matter. Or you’re sound-checking and want to hear the stage monitors for yourself. If you can’t leave the mixing station, you have to rely on someone else’s ears. If you don’t have a reliable crew, you don’t have a chance.
    You can say goodbye to that problem if you use a StudioLive 24.4.2 and an Apple iPad®! With StudioLive Remote for iPad—available free from the Apple App Store—you have complete, real-time, wireless remote control over Virtual StudioLive, which in turn offers real-time control over the StudioLive mixer. As long as you have a wireless connection between your iPad and computer (and are connected via FireWire to the 24.4.2), you are in control of the console. StudioLive Remote is easy to use, provides control of almost every feature of the StudioLive, and looks and feels like an iPad app should.
    Learn more about StudioLive Remote.

    Yet even better: control of monitor mixes from iPhones and iPod touches!

    We've given you a lot of sonic control with the StudioLive, Virtual StudioLive, and StudioLive Remote. It's only fair that we help you give the band control of their sound, too. With PreSonus' free QMix™, each band member can control their own StudioLive aux (monitor) mix from an iPhone® or iPod® touch. QMix lets you adjust a single aux mix per iPhone. Select inputs and levels for your custom monitor mix, and then use the Wheel of Me to get, well… “more me”… quickly during performances.
    You can even set permissions to ensure that the bass player, always the practical joker, can't mess with the hot-tempered lead singer's monitor mix. Otherwise, that bass player is going to get in trouble someday. We're just sayin'….
    Learn more about QMix.
    The level of control you get with PreSonus StudioLive-series mixers is beyond cool—it's absolutely ice! Now you can control your sound from anywhere you choose—no limits! Only with PreSonus StudioLive.

    A gigantic console in a small package thanks to the Fat Channel.

    If StudioLive 24.4.2 were an analog console, it would have 4-foot-long channel strips packed with knobs and buttons or it would require a massive outboard rack of expensive signal processors! That's because each channel has its own studio-grade compressor, limiter, gate, 4-band parametric equalizer, and high-pass filter. In all, we've packed 43 compressors, 43 limiters, 43 gates, 24 high-pass filters, and more, into one remarkable Fat Channel.
     ↓ Read more: Fat Channel signal processing and effects.

    Not just effects. Effects you'd expect from a $600 stand-alone processor.

    You get two programmable, 32-bit, stereo DSP effects engines, loaded with 50 reverbs, delays, and time-based effects that you can really use. The reverbs are so rich and detailed that you feel like you're there. Delays are precise. Slap echo sounds like old-school tape effects.
    All 50 effects have easy-to-use parameter adjustment, tap tempo, store, recall, and Scene selection for ultimate creative flexibility.
    ↓ Read more: A complete listing of effects presets.
    The reverbs are so rich and detailed that you feel like you’re there. Delays are precise. Slap echo sounds like old-skool tape effects. All 50 effects have easy-to-use parameter adjustment, tap tempo, and store and recall selection for the ultimate in creative flexibility.
    The StudioLive 24.4.2's 4 dual, 31-band graphic equalizers can be applied to the main, subgroup, and aux outputs so you can compensate for room acoustics, speaker response, and much more.
    Furthermore, with Smaart Measurement Technology™, you'll be able to really put StudioLive's graphic EQ to work improving the sound of your P.A. Precisely identify nasty feedback frequencies. Get your loudspeakers to play nicer with the room they're in — all without having a degree in acoustical engineering.

    What was then is now: complete store and recall.

    Two factors work against getting that Perfect Mix with an analog mixer. First, the Perfect Mix can be hard to reproduce a week, day, or hour after you perfect it. And second, a good mix should be dynamic: levels, effects, and EQ should be tailored to each song or segment of the show, service, or presentation. This adds up to a lot of settings to remember and reset at every performance.
    That's where the power of digital comes in: StudioLive lets you save all of your digital settings for quick setup and recall. Save Scenes that include every setting on the mixer or save just the Fat Channel settings. Copy-and-paste settings across multiple channels. Save individual DSP effects for ultimate ease, speed, and control.
    This means that for fixed applications like clubs, churches, and auditoriums, you can always count on the same sound and can fine-tune Scenes for different songs and call them up instantly. And it lets rank amateur volunteers successfully operate the StudioLive 16.4.2.

    ↓ Read more: Store and recall made easy.
    ↓ Read more: Sample list of channel presets.

    Recording made easy with Capture™

    If you have a computer with 6-pin FireWire, you have a 26-track digital recorder instantly ready to capture your gig, church service, or presentation. That’s because StudioLive 24.4.2 features a tightly integrated FireWire interface that delivers up to 32 channels of recording and up to 26 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre- or post-Fat Channel signal processing, delivering total flexibility and power.
    Just two mouse clicks engages Capture™ recording software. When you install it on your laptop, it automatically “maps” to the outputs of the 24.4.2 to automatically record all 24 input channels.
    ↓ Read more: Recording with Capture
    Learn more about Capture.

    Studio One® Artist — A serious digital audio workstation.

    Once you’re recorded studio tracks or a live multi-track performance, it’s time to finish it with effects and a good mix (not to mention editing out that huge burst of feedback during the third song).
    Studio One is a groundbreaking music-creation and -production application for Mac OS X and Windows® that makes audio recording and MIDI sequencing ridiculously simple right out of the box.
    Studio One changes the rules of the game with fresh code, innovative drag-and-drop features, advanced MIDI mapping, auto-configuration with your StudioLive 24.4.2, insanely good audio quality, unlimited tracks and plug-ins per track, and a powerful, inventive Start page. Studio One Artist also comes with a Native Effects™ 32-bit effects library, complete with dynamics processors, reverbs, modulation effects, amp simulators, and more. And with Studio One's free Nimbit® extension, you can immediately start selling your music.
    Learn more about Studio One.

    Inside, it's pure PreSonus.

    Ease of use and powerful features only count if the sound quality is equally impressive. After all, it really comes down to how good those microphone preamps are, how clean the signal path is, and how well the algorithms perform.
    That's why you should choose a digital mixer made by PreSonus, a company already famous for its analog mic preamps, pristine digital interfaces, and well-regarded signal processors.
    XMAX™ Class A preamplifiers deliver more headroom, deeper lows, smoother highs, and a richer overall sound than the preamps found in competing mixers. Ultra-high-headroom, 32-bit floating-point processing is used for all digital mixing. All analog inputs and outputs use the highest quality digital converters available.
    ↓ Read more about XMAX preamps.
    Synchronization to your computer is stable and robust, thanks to JetPLL™ synchronization technology, resulting in great stereo separation and clear, transparent audio.
    ↓ Read more about A/D/A and Jet PLL.

    StudioLive expands with your input needs.

    Need more than 24 channels for mixing live shows and don't need to record? Daisy-chain two StudioLive 24.4.2s via their FireWire ports to get up to 48 input channels and 8 submix buses.
    If you need more than 24 channels for recording, and you don't need a full channel strip for the additional inputs, you can daisy-chain a StudioLive 24.4.2 with any PreSonus FireStudio-series interface. It could not be simpler.

    Which StudioLive is best for you?

    Why choose the StudioLive 24.4.2 rather than the StudioLive 16.4.2? Let's say you want more than 16 channels but want to keep your system compact. Perhaps the acts and events you mix require lots of monitor mixes, so you need more than the six auxiliary buses in the 16.4.2, and you want fully parametric EQ, rather than semi-parametric. You could use an enhanced gate with Key Listen and Key Filter features, and a Threshold control on the limiter would be handy. A stereo graphic EQ on the mains is mandatory but you also want graphic EQ on the subgroups and auxes at times—four dual-mono, 31-band graphic EQs would do the job nicely. No problem! You get all of these enhancements and more with the 24-channel, 10-aux, StudioLive 24.4.2.
    If your needs and budget are more modest, you might want to consider the StudioLive 16.0.2. The StudioLive 16.0.2 provides fewer channels, mic preamps, aux buses, FireWire streams, graphic EQs, and meters than the StudioLive 24.4.2, and it does not have subgroups, digital outs and analog direct outs. Its faders are 60 mm instead of 100 mm, and you can't daisy-chain two 16.0.2s to create a larger system. And the StudioLive 16.0.2's Fat Channel is less elaborate than the 24.4.2 Fat Channel. However, the StudioLive 16.0.2 is much lighter and more compact than the 24.4.2, it's considerably less expensive, and it has a very cool feature that the larger StudioLives don't offer: MIDI control over main output level, effects levels and routing, and Scene change.

    You've read the book. Now see the movies.

    We've provided plenty of written material about StudioLive. In addition, you can go to the Video tab on the upper section of this page and watch a whole series of instructional videos showing StudioLive mixers in church, club, and project-studio applications. Video blogs go into detail about various powerful StudioLive features. And we regularly add new videos.
    Reading about the StudioLive 24.4.2 is a good start but nothing beats actually getting your hands on one, so visit your nearest PreSonus dealer today. Use our Where to Buy section to locate your nearest PreSonus dealer.
    You'll see what we mean about intuitive ease-of-use. You'll hear what we mean about Class A preamps, rich DSP effects, and overall sound quality. And when you have seen and heard it for yourself, you'll understand why your new mixer should be a StudioLive—the most exciting small-format digital mixer on the planet.

    Smaart Measurement Technology

    We've begun to incorporate Rational Acoustics' highly regarded Smaart Measurement Technology™ directly into our Virtual StudioLive™ remote-control/editor/librarian software for StudioLive™ mixers.
    ↓ Read more: What is Smaart?
    The first module from Smaart Measurement Technology to be implemented is Smaart Spectra™, which is part of PreSonus Universal Control 1.6 and later. (Download Universal Control free from the Technical Support section of the PreSonus Web site.)
    Now you can really put StudioLive's graphic EQ to work improving the sound of your P.A. Precisely identify nasty feedback frequencies. Get your loudspeakers to play nicer with the room they're in — all without having a degree in acoustical engineering. VSL’s Smaart implementation is accessible and intuitive, so that inexperienced users can make basic adjustments to the system, and experienced users can adjust the system quickly and precisely.

    See the spectral content of your mix in real time. Then do something about it.

    When you click on the Graphic Equalizer button in Universal Control 1.6, Smaart Spectra’s Spectrograph and real-time analyzer algorithms go to work, showing you the spectral content of whatever is routed though a particular graphic EQ.
    You can also activate a real-time analyzer, much like the Studio One™ 2 plug-in, and view what you are hearing. Can’t tell if your mix has too much low end or your room is boomy? Use the RTA to see where your mix has gone awry and clean it up!
    But the real magic is Smaart's unique Spectrogram display.

    Audio in three dimensions.

    The Smaart Spectra Spectrogram shows level versus frequency versus time. It graphs a continuous series of Spectrum measurements with frequency on one axis, time on another, and level indicated by colors. The display responds in real time as you adjust the graphic EQ.
    ↓ Read more about the Smaart Spectrogram.
    ↓ Use case: Ringing out feedback with Smaart Spectrograph 

    All the advantages of VSL, too!

    Because Smaart is integrated into VSL, its features can be wirelessly remote-controlled using StudioLive Remote 1.3 or later for iPad® — a free download from the Apple App Store. You can even use third-party VPN software to remote-control VSL, and therefore, Smaart, over the Internet—so contractors can help solve clients’ sonic emergencies without being physically present.
    This is just the start of a beautiful relationship with Rational Acoustics — PreSonus products are about to get a lot Smaarter!

    • 24 mic/line inputs with high-headroom Class A XMAX™ mic preamplifiers
    • 4 subgroups
    • Stereo/mono main out
    • 10 auxiliary mixes
    • 32-in/26-out FireWire digital recording ­interface (24-bit/44.1 kHz and 48 kHz)
    • Studio One Artist Digital Audio Workstation software for Mac® and PC
    • Capture™ 1.1 recording software for Mac® and PC
    • StudioLive Remote mixer-control software for iPad® available free from Apple App Store
    • QMix™ aux-control software for iPhone® and iPod touch® available free from Apple App Store
    • Direct recording interface compatible with Logic®, Nuendo, Cubase, Sonar™, Digital Performer™, Ableton™ Live, and more
    • 24 channel strips
    • Trim control with –20 to +20 dBV line/-15 to +65 dBu mic gain range (80dB!)
    • +48V phantom power switch for condenser microphones
    • FireWire Input Select
    • 100 mm precision faders
    • Lighted Solo and Mute buttons
    • Access to Fat Channel functions
    • 15-LED ladder metering + clip LED
    • Analog ¼" insert (rear panel)
    • 4 subgroup buses, each with:
      • Solo
      • Mute
      • Access to Fat Channel functions (except high-pass filter and phase reverse)
    • 10 aux sends, each with
      • Solo
      • Pre/post-fader send
      • Output-level control
      • Access to Fat Channel functions (except phase reverse)
      • Mix and Mix/Pan Fat Channel metering
      • Available sources:  24 input channels, Aux A and B, Tape Input, Talkback
    • 2 internal effects sends, each with:
      • Mute
      • Pre/post-fader send
      • Output-level control
      • Access to Fat Channel (except phase reverse)
      • Effects-send Select for Fat Channel metering
      • Mix button for aux-bus mixing and Fat Channel metering
    • Master Section
      • Aux Input A and B
      • Level Control and Select (Fat Channel ­metering) switch
      • Access to all Fat Channel functions (except phase reverse)
      • Talkback System
        • Mic Level control
        • Output Select ( Aux 1-2, 3-6, 7-10, Main)
        • Talk button
        • Rear-panel XLR mic input with level control and continuous 48V phantom power
      • 2 Track In
        • Level control
        • Tape Input to Mains button
        • FireWire source on/off
      • Solo Bus
        • Cue Mix volume control
        • PFL/AFL and Solo In Place (SIP) buttons
      • Monitor Bus
        • Headphone-output level control
        • Control-room monitor-level control
        • Solo Bus to Monitor button
        • Tape Input to Monitor button
        • Main L/R FireWire Return to Monitor button
        • Main Mix to Monitor button 
    • Fat Channel with rotary encoders:
      • Pan with dedicated 15-LED display
      • Stereo link for input channels, aux buses, and subgroups
      • Phase reverse (main channels only)
      • High-pass filter: 6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)
      • 4-band fully parametric equalizer
        • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
        • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
        • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
        • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
        • Master EQ On/Off button
      • Gate: Threshold: 0 to –84 dB, Attack: 0.02 to 500 ms, Release: 0.05 to 2 sec, Bandpass Key Filter: 40 Hz to 16 kHz, second-order resonant bandpass filter Q (0.7) with Key Listen function
      • Compressor: Threshold,-56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
      • Limiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio
      • Output Assign: 4 subgroups and main with post-EQ/post-dynamics option
      • All settings can be copied among channels and saved as user presets.
      • 50 channel-strip presets for drums, bass, guitars, keyboards, and vocals
    • 2 internal digital effects-processors, each with 50 customizable reverb and delay presets
      • 31-band graphic equalizers
        • Assignable in four stereo pairs
        • Mono or stereo operation
        • Main outputs, aux outputs, subgroup outputs
      • Scene Store and Recall
      • Global Scene Storage: all current StudioLive settings
        • Up to 80 at a time
      • Automatic Global AutoStore
      • Individual channel-strip Scene storage
      • Up to 48 at a time, plus…
      • 50 factory presets for instruments and vocal
      • Copy and Paste between channels
      • Customizable naming (for example, "Saturday Gig" or "Main Worship Service")
      • Lockout mode to keep inspired amateurs from changing your settings
    • Metering/Displays
      • 24 x 16- LED Fat Channel matrix:
        • Pre-dynamics/pre-fader input
        • Post-dynamics/post-fader output
        • Gain reduction
        • Aux 1-10 and EFX A/B output
        • Fader-position recall
      • 8 x 15-LED main meter bank
        • Selected channel level
        • Selected channel gain reduction
        • Sub buses 1 to 4
        • Main stereo outputs
      • 15-LED horizontal Pan/Balance display
      • 64 x 194 LCD matrix
        • Effects parameters
        • Scene creation, storage, and recall
        • System menus
      • 2-digit Channel Selected display
    • Input/Output
      • 24 main inputs, each with XLR mic, ¼" line, and ¼" inserts
      • 2 ¼" stereo (L/R) aux inputs
      • 1 XLR talkback-mic input with phantom power and level control
      • Unbalanced RCA stereo (L/R) tape inputs and outputs
      • XLR stereo (L/R) main outputs with level control
      • ¼" stereo (L/R) main outputs
      • XLR mono output with level control
      • ¼" stereo (L/R) control-room outputs
      • ¼" headphone output
      • 4 ¼" subgroup outputs
      • 10  ¼" aux outputs
      • 24 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 (DB25 sockets) S/PDIF digital out
      • 2 FireWire 400 ports
    • Digitalia
      • High-definition analog-to-digital converters (118 dB dynamic range)
      • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
      • Internal sample frequency 44.1 kHz and 48 kHz
    • Physical
      • Rugged, non-flex steel chassis
      • 100 mm long-throw faders
      • Military-grade, quick-touch buttons
      • BNC 12V lamp socket
      • Optional dust covers available

    Samson S-Com 4

    Four Channel Compressor/Gate

    The S com 4 is a compact and versatile single-rack space device that provides four channels of high quality dynamics processing with an Expander/Gate and Compressor/Limiter on each channel. The four channels operate independently or in stereo pairs. Its multi-segment LED metering displays input/output level as well as gain reduction. The Expander/Gate section features a continuously variable Threshold control as well as a switch for fast or slow release times.
    The Compressor/Limiter section includes variable Threshold, Ratio and Output levels. S com 4's Enhancer switch restores high frequencies that are sometimes diminished by heavy compression. This wide-ranging combination of features makes the S com 4 an efficient and versatile audio tool for a wide variety of applications. Its clean and quiet audio characteristics make it ideal where high sonic integrity is imperative.

    4 Channel Compressor/Limiter, Expander/Gate with Enhancer
    Linkable in two Stereo pairs
    Expander/Gate with variable Trigger control and switchable Fast/Slow Release
    5 Segment LED meters for Input/Output levels and Gain Reduction on each channel
    Advanced circuit design utilizing Low Noise Operational
    Amplifiers and High Quality VCA's
    Servo Balanced Inputs and Outputs on XLR and 1/4" connectors
    SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee based on the level of Input signal applied
    Individual Threshold and Ratio controls on each channel
    Three-year extended warranty
    Hi-Res Images
    Download a Hi-Res (300ppi) JPEG of the S com4 ( 211 KB JPG file)
    Download the S com4 User Manual in PDF format ( 3.10 MB PDF file)
    Contractor Documents
    Download the S Com 4 Tech Sheet in .pdf format ( 901 KB PDF file)

    Rocktron Reaction Digital Delay

    Reaction Digtal Delay

    Are you searching for a Digital Delay stomp box that delivers great sound and outperforms the competitors when it comes to sonic quality?  Pick up the Rocktron Reaction Digital Delay and surprise everyone, including yourself!


    • Maximum Input: 2dBu
    • Maximum Output: 3dBu
    • Imput Impedance: 1MΩ
    • Output Impedance: 1kΩ
    • Current Consumption: 36mA
    • Power Requirements: 9V Alkaline Battery or Rocktron DC OnTap Univeral Power Supply (sold seperately). Negative Tip.
    • Dimensions: 125mm x 78mm 61mm, 5” x 3.25” x 2.5”
    • Weight: 0.7kg, 1.5lbs
    Rocktron’s Reaction Series pedals are built into a rugged metal slim form factor chassis, taking up as little space as possible on your pedalboard.  The Reaction Digital Delay is a TRUE BYPASS pedal: when you turn it off…it is out of your signal path!

    The Reaction Digital Delay is very easy to use.  Controls include LEVEL, which controls the output level of the effect.  MODE determines whether the Delay time range is Quick (62.5 ms – 125 ms) or Extended (125 ms – 250 ms).  REGEN controls how many echoes you hear, while TIME controls the Delay Time selection.

    The Reaction Digital Delay has all the smooth full bodied tone you expect in a delay pedal.  If you are a rocker, we’ve got your back!  Just set the Reaction Digital Delay mode to Extended, then turn the Time control to find that classic rock phrasing echo.  Country pickers or Rockabilly jammers, set the Reaction Digital Delay mode to Quick and dial up your favorite slapback!

    Most players find that delay pedals will sound better when placed after distortion. If you are using a distortion pedal, place the Reaction Digital Delay after the distortion pedal in the signal chain. If you are using your amplifier’s distortion, place the Reaction Digital Delay in the effects loop section of the amp, (making sure to follow the instructions in your amp manual when using the effects loop).

    The footswitch on the Reaction Digital Delay controls On/Off status as shown by the LED indicator.  Reaction stomp boxes run on a 9V Alkaline battery, or may also be powered by Rocktron’s DC OnTap Universal Power Supply adaptor.

    Thursday, March 20, 2014

    TECHNO T9880i Keyboard

    Pricelist : Rp. 2.250.000,-

    Spesifikasi TECHNO T9880i TERBARU:

    - 128 traditional & modern rhytms
    - 61 keyboard perccusionB
    - 16 channel & 128 modern timbres
    - Touch response keys
    - 22 demo songs
    - dual voice/dual keyboard function
    - intro/ending/sync/fill in function
    - single & fingered chord
    - record & programming function
    - metronome/vibrato/sustain
    - transpose
    - with pitch bend wheel
    - 3 lesson mode function
    - midi out/microphone/audio out

    Behringer K3000FX ULTRATONE

    Pricelist : Rp. 6.700.000,-
    Ultra-Flexible 300-Watt 4-Channel PA System / Keyboard Amplifier with FX and FBQ Feedback Detection
    • Ultra-flexible 300-Watt 4-channel PA System / Keyboard Amplifier
    • Powerful 15'' BUGERA woofer and custom-made 1'' driver for ultimate sound reproduction
    • Integrated digital FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
    • Revolutionary FBQ Feedback Detection System instantly reveals critical frequencies
    • Full 4-channel stereo operation with separate Volume and FX Send per channel
    • Additional XLR mic input on Channel 1 for direct connection of dynamic microphones
    • Dedicated 7-band graphic EQ for awesome sound shaping
    • Balanced stereo XLR DI with Ground Lift switch for direct connection to your mixing console
    • Main section with FX Return level, Master Volume, Phones level and Shape switch
    • Link output allows linking to a slave amplifier for true stereo operation
    • Subwoofer output for ultimate low-end power
    • CD input allows you to play along to your favorite music
    • Separate headphone output—perfect for quiet practicing
    • High-quality components and exceptionally rugged construction ensure long life
    • Conceived and designed by BEHRINGER Germany
    The ULTRATONE K3000FX specializes in clean, powerful sound. With this 300-Watt workhorse in your rig, your keyboards will sound their best gig after gig.

    Channel Your Sound

    The 300-Watt K3000FX gives you four stereo channels, each with separate volume and FX SEND controls, plus Channel 1 has an additional XLR mic input for direct connection of a dynamic microphone. So, if you're the kind of keyboardist with multiple instruments at your disposal, the K3000FX is ready to handle up to four independent signals. It is also ideal for use as an all-in-one solution for keys and vocal applications. The onboard 24-bit digital FX processor, with 100 amazing presets, adds a high-tech dash of reverb, chorus, flange, delay, pitch shift and other effects to your sound.
    The MAIN Section gives you separate controls for FX RETURN, MASTER VOLUME, PHONES and SHAPE. A CD INPUT allows you to play recorded music through the K3000FX during performance breaks, or just for playing along. A separate headphone output is perfect for quiet practicing. The K3000FX also features an integrated 35-mm pole socket for stand mounting and use as a PA system. The line output for direct connection to your mixing console makes it a perfect fit for an existing PA system as well.

    Be EQ'd and Feedback-Free

    Use the K3000FX to bring out the best in your sound via its 7-band graphic EQ with our proprietary FBQ Feedback Protection System. This incredible audio solution immediately pinpoints frequencies that cause feedback, so you get perfect sound every time.

    Behringer BX4500H + BB410 Cabinet


    Pricelist : Rp. 4.650.000,-

    450-Watt Bass Amplifier Head with Ultrabass Processor and Shape Filter

    • Extremely powerful 450-Watt bass amplifier head
    • Dynamizer technology for ultimate punch and to capture every nuance of your playing
    • Switchable Ultrabass subharmonics processor for unbelievable low-end power
    • Revolutionary Shape filter for extreme sound range
    • Dedicated 5-band EQ with Bright and Deep functions for awesome sound shaping
    • Musical limiter for ultimate volume without distortion
    • Vintage-style VU meter for precise signal level control
    • Dual footswitch for Ultrabass and Shape functions included
    • Balanced DI output for direct connection to your mixing console
    • Dedicated Tuner Output/Effect Send and separate Line output for additional flexibility
    • FX Insert for external effects devices (stomp boxes, rack effects, etc.)
    • 3 speaker outputs on 1/4'' jack and professional speaker connectors (compatible with Neutrik Speakon connectors)
    • Active, temperature-controlled cooling system for ultimate protection
    • High-quality components and exceptionally rugged construction ensure long life
    • Conceived and designed by BEHRINGER Germany


    Pricelist : Rp. 5.900.000,-

    High-Performance 1,200-Watt Bass Cabinet with Original 4 x 10'' BUGERA Speakers and 1'' Horn Driver

    • Reinforced chamber, front-ported bass cabinet for 1,200 Watts of power handling
    • Original BUGERA speakers with special high-impact cones
    • Powerful and punchy bass tone
    • Switchable 1" custom-made horn tweeter for high-end punch
    • Unique tweeter remote control via footswitch or BEHRINGER MIDI Foot Controller FCB1010 (not included)
    • Input and link outputs on ¼" TS and professional speaker connectors (compatible with Neutrik Speakon connectors) with an impedance of 4 Ohms
    • Recessed carrying handles and integrated rollers for easy transportation
    • Shock-proof metal grille, reinforced corners and rugged carpet covering
    • High-quality components and exceptionally rugged construction ensure long life
    • Conceived and designed by BEHRINGER Germany
    Since the advent of the electric bass, this truth has been self-evident: bass guitars sound great through 10" speakers. The ULTRABASS BB410 packs four BUGERA 10" speakers into one killer cabinet built to keep you sounding great gig after gig.

    Sound That Astounds

    The four BUGERA bass speakers are the essence of the BB410. These beauties are made with care, completely in-house. We even manufacture our own speaker cones from scratch! The BB410 also features a switchable 1.0" tweeter for added high-end clarity. There's even a footswitch input for remote tweeter activation. Professional-grade twist-lock 1 /4" connectors ensure a tight, dependable signal path from your amp to the BB410. With 1,200 Watts of power handling capability, it all adds up to a truly sweet-sounding complement to your favorite bass amplifier.

    The Right Rig for the Gig

    In addition to great sound and uncompromised durability, the BB410 is well within the budget of every working musician, making it an unparalleled value. Check it out at your nearest BEHRINGER dealer, and see what this workhorse can do for your sound.

    Behringer UMX490 U-CONTROL

    The Ultimate Studio in a Box: 49-Key USB/MIDI Controller Keyboard with USB/Audio Interface, 100 Software Instruments, 50 VST Effects and NI KorePlayer Software Sound Module
    • Unleash your creativity with 100 virtual instruments and take off with 50 VST effects plus an unlimited number of sound creations
    • Velocity-sensitive USB/MIDI keyboard featuring 49 high-quality full-size keys and unbeatable programming versatility, real-time control and playability
    • USB/Audio interface included for recording and playback of any digital music file. Works with your PC or Mac computer—no setup or drivers
    • Intuitive sound module NI KorePlayer with production-ready 300 MB sound library, includes sounds of nearly all categories/kinds, ranging from synths to acoustic instruments to drums
    • Plug and play with Mac OS X, Windows XP and Vista operating systems
    • 8 real-time rotary controls plus 10 assignable switches
    • Freely assign MIDI control changes to the modulation wheel, volume fader and pedal port for ultimate flexibility
    • Full 128 tone range via the octave shift function with multi-purpose LED status indication
    • Separate MIDI Out allows controlling external samplers, synths and other equipment
    • Runs via USB, batteries or a power adapter (not included)
    • High-quality components and exceptionally rugged construction ensure long life
    • Conceived and designed by BEHRINGER Germany
    The UMX MIDI Controller is an extremely flexible master keyboard with a control section for a wide range of applications. Do you need independent control of hardware synthesizers or general MIDI sound modules? How about control over effects devices? Maybe you just want to operate sequencing software or computer plug-ins from a convenient remote location? UMX Series controllers provide total flexibility and tremendous ease of use, allowing you to realize your ideas intuitively. 

    What is a MIDI Controller?

    Simply put, a MIDI controller gives you the power to take command of any hardware device or software that understands MIDI (Musical Instrument Digital Interface). This means that MIDI addressable effects processors (such as delays, reverbs, etc.) and audio recording and editing software can be controlled with a single piece of hardware, a MIDI controller. This can be very handy indeed when you have lots of devices spread The UMX MIDI Controller is an extremely flexible master keyboard with a control section for a wide range of applications. Do you need independent control of hardware synthesizers or general MIDI sound modules? How about control over effects devices? Maybe you just want to operate sequencing software or computer plug-ins from a convenient remote location? UMX Series controllers provide total flexibility and tremendous ease of use, allowing you to realize your ideas intuitively.

    22 assignable controllers

    When it comes to remote control, you get 8 knobs, 10 assignable switches, 2 wheels (Pitch Bend & Modulation), 1 pedal port and 1 fader, for a total of 22 assignable controllers — which means total control of your operating environment. Once you’ve assigned the parameters for a particular scenario, simply store it in your user preset.

    More Than Just MIDI

    As an added bonus, we’ve included our UCA222 USB Audio Interface to access your PC or Mac computer’s audio capability. You can use the UCA222 to connect sound modules directly to any free computer USB port and listen to either the input or output signal via headphones or through active studio monitors. The UCA222 also features an additional S/PDIF optical output for direct digital conversion and is completely powered via USB—no external power supply needed. With its dual analog mono inputs, any line-level device, such as a mixer or tape deck, can be connected hassle-free to your computer.

    Unleash Your Creativity With More Than 100 Instruments and Effects Plug-Ins

    We’ve included over 100 virtual instruments plus more than 50 effects plug-ins to get you rockin’ right out of the box! Jam with a virtual e-piano or take off with breathtaking synthesizer sounds. Tweak your sounds with creative tube amps and multi-FX plus high-end studio reverbs, equalizers, compressors, choruses and many more.

    Power supply options

    Because they need to be ready for action in a variety of venues, UMX Series controllers can draw operating power from any free USB port on your PC or Mac computer, 3 AA batteries or the optional external power supply.
    If you need help with your live or recording MIDI environment, the UMX Series puts total control right at your fingertips.


    Pricelist  : Rp. 8.850.000,- / pair

    Professional 1600-Watt 18" PA Subwoofer

    • Professional 1600-Watt 18'' subwoofer for PA applications (400 Watts Continuous / 1600 Watts Peak Power)
    • Exceptional sound quality, wide frequency bandwidth and dynamic range
    • Precise reproduction of ultra-low frequencies with a clear, powerful punch
    • Ergonomically shaped handles for easy transport
    • Pole socket for speaker mounting pole
    • Rugged steel grille for optimal speaker protection
    • 2 professional speaker connectors
    • High-quality components and exceptionally rugged construction ensure long life
    • Conceived and designed by BEHRINGER Germany
    Designed for musicians by musicians, the VP1800S subwoofer merges incredible sonic performance with amazing affordability. The VP1800S is supremely portable and well suited for musical applications, and is the natural choice for commercial installation.

    Power Handling Capacity

    The VP1800S subwoofer is engineered to handle the demands of professional gigs, from small clubs to large stages. With its 1,600-Watts power handling capability, the VP1800S cranks out massive amounts of aggressive bottom-end, making it the ideal way to add tremendous punch to your current sound system.

    Let’s Get Technical

    The VP1800S is capable of extremely high sound pressure levels (100 dB half space 1 W @ 1 m) and provides a 40 to 200 Hz frequency range. A standard 35-mm (1.375") pole socket is provided for pole-mounting loudspeakers atop the VP1800S. The internal Low-pass filter (LPF) is fixed at 150 Hz. Both 1/4" and professional-style twist-lock connectors are provided.


    Pricelist : Rp. 11.000.000,- / pair
    Professional 2000-Watt PA Speaker with Dual 15" Woofers and 1.75" Titanium-Diaphragm Compression Driver
    • Professional 2000-Watt 2-Way PA speaker system (500 Watts Continuous / 2000 Watts Peak Power)
    • Exceptional sound quality, wide frequency bandwidth and dynamic range
    • 2 extremely powerful 15'' long-excursion drivers provide incredibly deep bass and acoustic power
    • Proprietary 1.75'' titanium-diaphragm compression driver for exceptional high-frequency reproduction
    • Proprietary horn design for ultra-wide sound dispersion
    • Overload-protection circuitry ensures optimal HF driver protection
    • Trapezoidal enclosure for easy array and sonic accuracy
    • Ergonomically shaped handles for easy transport
    • Rugged steel grille for optimal speaker protection
    • 2 professional speaker connectors plus 1/4'' jack connectors
    • High-quality components and exceptionally rugged construction ensure long life
    • Conceived and designed by BEHRINGER Germany
    Designed for musicians by musicians, the VP2520 loudspeaker merges incredible versatility and sonic performance with amazing affordability. The VP2520 is supremely portable and well suited for musical applications, and is the natural choice for commercial installation.

    Superior Sound Quality

    Capable of handling input levels up to a staggering 2,000 Watts, the EUROLIVE VP2520 PA loudspeaker delivers truly impressive sound quality. The powerful dual 15" long-excursion drivers crank out big tone in the bottom end and mid-range, while the state-of-the-art 1.75" titanium-diaphragm compression driver delivers crisp and detailed highs. The VP2520’s wide frequency bandwidth and extensive dynamic range make it ideal for a multitude of applications.

    Big Bottom

    In order to produce tight, deep bass, a loudspeaker has to move lots of air. EUROLIVE loudspeakers accomplish this by using powerful, long-excursion LF (Low Frequency) drivers that are handmade in our own factory. While some companies are content to use “off-the-shelf” drivers, we custom-design each LF driver to perfectly match each application. The VP2520 features two extremely powerful 15" long-excursion LF drivers in a tuned enclosure, providing massive, tight bass all the way down to 40 Hz.

    The Technical Stuff

    The VP2520 is capable of extremely high sound pressure levels (96 dB full space 1 W @ 1 m) and provides a 40 Hz to 22 kHz frequency range. Weight is 87.7 lbs (39.8 kg). The internal crossover point is fixed at 2.2 kHz. Both 1/4" and professional-style twist-lock connectors are provided.
    Optimized for maximum reliability through the integrated overload-protection circuitry, the VP2520 ensures the ultimate high-frequency driver protection. Designed to stand up to the rigors of the road, the VP2520 is built to last and made to perform!

    BEHRINGER NU3000 iNUKE Power Amplifier

    Pricelist : Rp. 5.950.000,-

    Ultra-Lightweight, High-Density 3000-Watt Power Amplifier

    Delivers 2 x 1500 Watts into 2 Ohms; 2 x 880 Watts into 4 Ohms; 3000 Watts into 4 Ohms (bridge mode) and weighs less than 7 lbs / 3.3 kg
    Ultimate reliability through revolutionary cool-running High-Density Class-D technology with "near-zero" thermal buildup
    Ultra-efficient switch-mode power supply for noise-free audio, superior transient response and low power consumption
    "Zero-Attack" limiters offer maximum output level with reliable overload protection
    Built-in Subwoofer/Satellite crossover for perfect subwoofer operation
    Detented and illuminated gain controls for precise level setting
    Precise 4-segment Signal and Limit LEDs to monitor performance
    XLR and 1/4'' TRS combination input connectors for compatibility with any source
    Professional twist-lock speaker connectors for ultimate reliability
    Independent DC, LF and thermal overload protection on each channel automatically protects amplifier and speakers without shutting down the show
    “Back-to-front” ventilation system prevents thermal buildup for reliable operation
    High-quality components and exceptionally rugged construction ensure long life
    Conceived and designed by BEHRINGER German

    iNUKE Series power amplifiers pack massive amounts of output power into exceptionally lightweight, rack-mountable packages. Our revolutionary high-density Class-D technology combined with ultra-efficient switch-mode power supplies ensures these feather-light powerhouses will drive your rig effortlessly for many years to come.

    Superb transient response

    We spent years fine-tuning the high-density Class-D technology that gives the iNUKE Series its oomph. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, these amps react instantly to even the most demanding electronic bass impulses.
    When this amazing amplifier technology is combined with our state-of-the-art switching-mode power supplies, these amplifiers provide tremendous punch. And because they are so much more efficient than conventional designs, they run cooler and don’t require the massive heat sinks and heavy toroid transformers typically associated with their conventional counterparts.

    Sublimely simple operation

    The front panel controls and indicators provide your system’s vital signs at a glance. After pressing the Power button, the Power LED lights to show the amp is ready for action. All channels feature positive-detent Gain controls with Signal LEDs that light when a signal is present, as well as clip LEDs to indicate when the signal is distorted and you need to reduce the input signal.
    The rear panel is just as elegant, with combo XLR and 1/4" TRS input connectors making the iNUKE compatible with virtually any source, balanced or unbalanced. Professional twist-lock speaker sockets are provided to ensure every drop of output power gets to your loudspeakers.The rear panel is also where you’ll find the switches that enable iNUKE amps to work in either dual mono, stereo or mono bridge mode. A built-in CROSSOVER switch enables the amp to operate in biamp mode, sending low frequency content to passive subwoofers, while the high frequency output is channeled to fullrange loudspeakers (CH1>100 Hz / CH2<100 Hz or FULLRANGE).


    Sporting massive output ratings, lightweight Class-D technology, an equally lightweight price tag, and all the amenities a professional audio engineer could ask for, BEHRINGER iNUKE amplifiers are serious amps for the most demanding applications.


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