Friday, October 26, 2012

PreSonus StudioLive 16.4.2 Digital Mixer



 Pricelist : Rp. 29.925.000,-

More Than a Mixer—a Complete System


You'll never go back to an old-skool analog mixer once you've used StudioLive™. With its incredible signal-processing power on every channel, easy store and recall of every setting, and the ability to record it all with just two mouse clicks, you'll get spoiled fast! Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, it delivers the most creative environment possible for both live performance and studio music production.
But StudioLive is not simply a mixer, it's a rapidly growing family of state-of-the-art, integrated hardware-software mixing and recording systems that deliver the features you need for live sound, live recording, and studio recording.
The StudioLive 16.4.2 is a great choice for those who want to mix smaller shows and worship services, and it's a great choice for small club systems, portable churches, small bands, corporate applications, educational institutions, and anywhere you want a rack-mount mixer. It's the perfect hardware core for a project studio.
Or daisy-chain two StudioLive 16.4.2s to form a 32x4x2 performance and recording console for mid-sized shows and events.
Here, in one device, are high-headroom XMAX™ microphone preamplifiers, a built-in FireWire recording and playback interface, more than 90 signal processors, a big library of DSP effects, 6 aux buses, 4 subgroups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback, and more.
Yet despite its many controls and features, it's compact, rack-mountable, and easy to transport.
Build live mixes that glisten with clarity and detail—then record and enhance the performance with the power of StudioLive 16.4.2. Get creative in the studio. Build mixes, loops, sound effects, and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins and completely automate your entire performance.
StudioLive 16.4.2 revolutionizes music production, opening endless creative possibilities.

Control Your Sound Your Way!

With a PreSonus StudioLive-series digital mixer, you not only get high-end sound and tremendous processing, mixing, and recording power, you can control all of this sonic might from virtually anywhere. Want to touch your mix with the physical feedback of real faders and rotary knobs and an intuitive, analog-like user interface? The StudioLive delivers big time; sound people who have only mixed with analog boards quickly become comfortable working with a StudioLive.
↓ Read more about the StudioLive’s analog-like ease-of-use.

Virtual StudioLive: The magic of computer control.

Despite its analog-like mixing surface, this is very much a digital console, and it offers features no analog mixer—and very few digital boards—can match. For example, the ability to control the StudioLive mixer from a laptop adds tremendous flexibility and convenience—and with the bundled Virtual StudioLive bidirectional control/editor/librarian software, you get it all for free.
Written exclusively for StudioLive mixers, Virtual StudioLive (VSL) provides a complete visual representation of the mixer, allowing you to control the features with a mouse, trackpad, or trackball on a FireWire-equipped Mac® or PC. Add third-party VPN software, and you can even control StudioLive mixers over the Internet—ideal for contractors. To get a competing mixer with computer control even close to this complete, you'd have to pay several times as much.
Learn more about Virtual StudioLive.

Even better: wireless control!

You’re mixing a live show with an old-skool mixer—make that any mixer other than StudioLive—and you need to check the sound underneath the balcony—or in the balcony, for that matter. Or you’re sound-checking and want to hear the stage monitors for yourself. If you can’t leave the mixing station, you have to rely on someone else’s ears. If you don’t have a reliable crew, you don’t have a chance.
You can say goodbye to that problem if you use a 16.4.2 and an Apple iPad®! With StudioLive Remote for iPad—available free from the Apple App Store—you have complete, real-time, wireless remote control over Virtual StudioLive, which in turn offers real-time control over the StudioLive mixer. As long as you have a wireless connection between your iPad and computer (and are connected via FireWire to the 16.4.2), you are in control of the console. StudioLive Remote is easy to use, provides control of almost every feature of the StudioLive, and looks and feels like an iPad app should.
Learn more about StudioLive Remote.

Yet even better: control of monitor mixes from iPhones and iPod touches!

We've given you a lot of sonic control with the StudioLive, Virtual StudioLive, and StudioLive Remote. It's only fair that we help you give the band control of their sound, too. With PreSonus' free QMix™, each band member can control their own StudioLive aux (monitor) mix from an iPhone® or iPod® touch. QMix lets you adjust a single aux mix per iPhone. Select inputs and levels for your custom monitor mix, and then use the Wheel of Me to get, well… “more me”… quickly during performances.
You can even set permissions to ensure that the bass player, always the practical joker, can't mess with the hot-tempered lead singer's monitor mix. Otherwise, that bass player is going to get in trouble someday. We're just sayin'….
Learn more about QMix.
The level of control you get with PreSonus StudioLive-series mixers is beyond cool—it's absolutely ice! Now you can control your sound from anywhere you choose—no limits! Only with PreSonus StudioLive.

A gigantic console in a small package thanks to the Fat Channel.

If StudioLive 16.4.2 were an analog console, it would have 4-foot-long channel strips packed with knobs and buttons or it would require a massive outboard rack of expensive signal processors! That's because each channel has its own compressor, limiter, gate, 4-band semi-parametric equalizer, and high-pass filter. In all, we've packed 31 compressors, 31 limiters, 31 gates, 16 high-pass filters, and more, into one remarkable Fat Channel.
 ↓ Read more: Fat Channel signal processing and effects.

Not just effects. Effects you'd expect from a $600 stand-alone processor.

You get two programmable, 32-bit, stereo DSP effects engines, loaded with 50 reverbs, delays, and time-based effects that you can really use. The reverbs are so rich and detailed that you feel like you're there. Delays are precise. Slap echo sounds like old-school tape effects.
All 50 effects have easy-to-use parameter adjustment, tap tempo, store, recall, and Scene selection for ultimate creative flexibility.

↓ Read more: A complete listing of effects presets.
The reverbs are so rich and detailed that you feel like you’re there. Delays are precise. Slap echo sounds like old-skool tape effects. All 50 effects have easy-to-use parameter adjustment, tap tempo, and store and recall selection for the ultimate in creative flexibility.
The StudioLive 16.4.2's 4 dual, 31-band graphic equalizers can be applied to the main, subgroup, and aux outputs so you can compensate for room acoustics, speaker response, and much more.
Furthermore, with Smaart Measurement Technology™, you'll be able to really put StudioLive's graphic EQ to work improving the sound of your P.A. Precisely identify nasty feedback frequencies. Get your loudspeakers to play nicer with the room they're in — all without having a degree in acoustical engineering.

What was then is now: complete store and recall.

Two factors work against getting that Perfect Mix with an analog mixer. First, the Perfect Mix can be hard to reproduce a week, day, or hour after you perfect it. And second, a good mix should be dynamic: levels, effects, and EQ should be tailored to each song or segment of the show, service, or presentation. This adds up to a lot of settings to remember and reset at every performance.
That's where the power of digital comes in: StudioLive lets you save all of your digital settings for quick setup and recall. Save Scenes that include every setting on the mixer or save just the Fat Channel settings. Copy-and-paste settings across multiple channels. Save individual DSP effects for ultimate ease, speed, and control.
This means that for fixed applications like clubs, churches, and auditoriums, you can always count on the same sound and can fine-tune Scenes for different songs and call them up instantly. And it lets rank amateur volunteers successfully operate the StudioLive 16.4.2.
↓ Read more: Store and recall made easy.
↓ Read more: Sample list of channel presets.

Recording made easy with Capture™

If you have a computer with 6-pin FireWire, you have a 32-track digital recorder instantly ready to capture your gig, church service, or presentation. That’s because StudioLive 16.4.2 features a tightly integrated FireWire interface that delivers up to 32 channels of recording and up to 18 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre- or post-Fat Channel signal processing, delivering total flexibility and power.
Just two mouse clicks engages Capture™ recording software. When you install it on your laptop, it automatically “maps” to the outputs of the 16.4.2 to automatically record all 16 input channels—or 32 channels if you’ve chained two StudioLive 16.4.2s.
↓ Read more: Recording with Capture
Learn more about Capture.

Studio One® Artist — A serious digital audio workstation.

Once you’re recorded studio tracks or a live multi-track performance, it’s time to finish it with effects and a good mix (not to mention editing out that huge burst of feedback during the third song).
Studio One is a groundbreaking music-creation and -production application for Mac OS X and Windows® that makes audio recording and MIDI sequencing ridiculously simple right out of the box.
Studio One changes the rules of the game with fresh code, innovative drag-and-drop features, advanced MIDI mapping, auto-configuration with your StudioLive 16.4.2, insanely good audio quality, unlimited tracks and plug-ins per track, and a powerful, inventive Start page. Studio One Artist also comes with a Native Effects™ 32-bit effects library, complete with dynamics processors, reverbs, modulation effects, amp simulators, and more. And with Studio One's Nimbit® extension, you can immediately start selling your music.
Learn more about Studio One.

Inside, it's pure PreSonus.

Ease of use and powerful features only count if the sound quality is equally impressive. After all, it really comes down to how good those microphone preamps are, how clean the signal path is, and how well the algorithms perform.
That's why you should choose a digital mixer made by PreSonus, a company already famous for its analog mic preamps, pristine digital interfaces, and well-regarded signal processors.
XMAX™ Class A preamplifiers deliver more headroom, deeper lows, smoother highs, and a richer overall sound than the preamps found in competing mixers. Ultra-high-headroom, 32-bit floating-point processing is used for all digital mixing. All analog inputs and outputs use the highest quality digital converters available.
↓ Read more about XMAX preamps.
Synchronization to your computer is stable and robust, thanks to JetPLL™ synchronization technology, resulting in great stereo separation and clear, transparent audio.
↓ Read more about A/D/A and Jet PLL.

StudioLive expands with your input needs.

Need more than 16 channels for mixing and recording? Daisy-chain two StudioLive 16.4.2s via their FireWire ports to get up to 32 input channels and 8 submix buses. You can still record and can simultaneously control the StudioLive with Virtual StudioLive for Mac and Windows and StudioLive Remote for iPad.
If you need more than 16 channels for recording, and you don't need a full channel strip for the additional inputs, you can daisy-chain a StudioLive 16.4.2 with any PreSonus FireStudio-series interface. It could not be simpler.

Which StudioLive is best for you?

Your mixing and recording needs aren't necessarily exactly the same as everyone else's. That's why we created a StudioLive family of digital mixers, starting with the StudioLive 16.0.2, 16.4.2, and 24.4.2.
Why choose StudioLive 16.4.2 rather than StudioLive 16.0.2? The StudioLive 16.4.2 has more mic preamps, more FireWire streams, more graphic EQs, longer-throw faders, more bands of semi-parametric EQ, and more meters than the StudioLive 16.0.2, and it can be rack-mounted without requiring an adapter. It has digital outs and analog direct outs, and you can daisy-chain two 16.4.2s to create a larger system; the 16.0.2 does not have these features.
On the other hand, the StudioLive 16.0.2 is more compact and lighter than the 16.4.2, it's less expensive, and it has a very cool feature that the larger StudioLives don't offer: MIDI control over main output level, effects levels and routing, and Scene change.

You've read the book. Now see the movies.

We've provided plenty of written material about StudioLive. In addition, you can go to the Video tab on the upper section of this page and watch a whole series of instructional videos showing StudioLive mixers in church, club, and project-studio applications. Video blogs go into detail about various powerful StudioLive features. And we regularly add new videos.
Reading about the StudioLive 16.4.2 is a good start but nothing beats actually getting your hands on one, so visit your nearest PreSonus dealer today. Use our Where to Buy section to locate your nearest PreSonus dealer.
You'll see what we mean about intuitive ease-of-use. You'll hear what we mean about Class A preamps, rich DSP effects, and overall sound quality. And when you have seen and heard it for yourself, you'll understand why your new mixer should be a StudioLive—the most exciting small-format digital mixer on the planet.

Smaart Measurement Technology

We've begun to incorporate Rational Acoustics' highly regarded Smaart Measurement Technology™ directly into our Virtual StudioLive™ remote-control/editor/librarian software for StudioLive™ mixers.
↓ Read more: What is Smaart?
The first module from Smaart Measurement Technology to be implemented is Smaart Spectra™, which is part of PreSonus Universal Control 1.6 and later. (Download Universal Control free from the Technical Support section of the PreSonus Web site.)
Now you can really put StudioLive's graphic EQ to work improving the sound of your P.A. Precisely identify nasty feedback frequencies. Get your loudspeakers to play nicer with the room they're in — all without having a degree in acoustical engineering. VSL’s Smaart implementation is accessible and intuitive, so that inexperienced users can make basic adjustments to the system, and experienced users can adjust the system quickly and precisely.

See the spectral content of your mix in real time. Then do something about it.

When you click on the Graphic Equalizer button in Universal Control 1.6, Smaart Spectra’s Spectrograph and real-time analyzer algorithms go to work, showing you the spectral content of whatever is routed though a particular graphic EQ.
You can also activate a real-time analyzer, much like the Studio One™ 2 plug-in, and view what you are hearing. Can’t tell if your mix has too much low end or your room is boomy? Use the RTA to see where your mix has gone awry and clean it up!
But the real magic is Smaart's unique Spectrogram display.

Audio in three dimensions.


The Smaart Spectra Spectrogram shows level versus frequency versus time. It graphs a continuous series of Spectrum measurements with frequency on one axis, time on another, and level indicated by colors. The display responds in real time as you adjust the graphic EQ.
↓ Read more about the Smaart Spectrogram.
↓ Use case: Ringing out feedback with Smaart Spectrograph 

All the advantages of VSL, too!

Because Smaart is integrated into VSL, its features can be wirelessly remote-controlled using StudioLive Remote 1.3 or later for iPad® — a free download from the Apple App Store. You can even use third-party VPN software to remote-control VSL, and therefore, Smaart, over the Internet—so contractors can help solve clients’ sonic emergencies without being physically present.
This is just the start of a beautiful relationship with Rational Acoustics — PreSonus products are about to get a lot Smaarter!

FEATURES:
  • 16 mic/line inputs with high-headroom Class A XMAX™ mic preamplifiers
  • 4 subgroups
  • Stereo/mono main out
  • 6 auxiliary mixes
  • 32-in/18-out FireWire digital recording ­interface (24-bit/44.1 kHz and 48 kHz)
  • Studio One Artist Digital Audio Workstation software for Mac® and PC
  • Capture™ 1.1 recording software for Mac® and PC
  • StudioLive Remote mixer-control software for iPad® available free from Apple App Store
  • QMix™ aux-control software for iPhone® and iPod touch® available free from Apple App Store
  • Direct recording interface compatible with Logic®, Nuendo, Cubase, Sonar™, Digital Performer™, Ableton™ Live, and more
  • 16 channel strips
  • Trim control with –20 to +20 dBV line/-15 to +65 dBu mic gain range (80dB!)
  • +48V phantom power switch for condenser microphones
  • FireWire Input Select
  • 100 mm precision faders
  • Lighted Solo and Mute buttons
  • Access to Fat Channel functions
  • 15-LED ladder metering + clip LED
  • Analog ¼" insert (rear panel)
  • 4 subgroup buses, each with:
    • Solo
    • Mute
    • Access to Fat Channel functions (except high-pass filter and phase reverse)
  • 6 aux sends, each with
    • Solo
    • Pre/post-fader send
    • Output-level control
    • Access to Fat Channel functions (except phase reverse)
    • Mix and Mix/Pan Fat Channel metering
    • Available sources:  Channels 1-16, FXA Return, FXB Return
  • 2 internal effects sends, each with:
    • Mute
    • Pre/post-fader send
    • Output-level control
    • Access to Fat Channel (except phase reverse)
    • Effects-send Select for Fat Channel metering
    • Mix button for aux-bus mixing and Fat Channel metering
  • Master Section
    • Aux Input A and B
    • Level Control and Select (Fat Channel ­metering) switch
    • Access to all Fat Channel functions (except phase reverse)
    • Talkback System
      • Mic Level control
      • Output Select (   Aux 1-2, 3-4, 5-6, Main)
      • Talk button
      • Rear-panel XLR mic input with level control and continuous 48V phantom power
    • 2 Track In
      • Level control
      • Tape Input to Mains button
      • FireWire source on/off
    • Solo Bus
      • Cue Mix volume control
      • PFL/AFL and Solo In Place (SIP) buttons
    • Monitor Bus
      • Headphone-output level control
      • Control-room monitor-level control
      • Solo Bus to Monitor button
      • Tape Input to Monitor button
      • Main L/R FireWire Return to Monitor button
      • Main Mix to Monitor button 
  • Fat Channel with rotary encoders:
    • Pan with dedicated 15-LED display
    • Stereo link for input channels, aux buses, and subgroups
    • Phase reverse (main channels only)
    • High-pass filter: 6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)
    • 4-band semi-parametric equalization
      • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
      • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, switchable 0.55/2.0 Q
      • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, switchable 0.55/2.0 Q
      • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
    • Gate: Threshold 0 to –84 dB; Rate: 2 to 0.05 sec
    • Compressor: Threshold -56 to 0 dB, Ratio 1:1 to 14:1, Attack 0.2 to 150 ms, Release 40 to 1000 ms, Makeup Gain 0 to 28 dB, Soft Knee switch, Auto Mode with 10 ms Attack and 150 ms Release
    • Limiter: 0 dBFS Threshold, ∞:1 Ratio
    • Output Assign: 4 subgroups and main with post-EQ/post-dynamics option
    • All settings can be copied among channels and saved as user presets.
    • 50 channel-strip presets for drums, bass, guitars, keyboards, and vocals
  • 2 internal digital effects-processors, each with 50 customizable reverb and delay presets
    • 31-band graphic equalizers
      • Available on Main Outputs only
    • Scene Store and Recall
    • Global Scene Storage: all current StudioLive settings
      • Up to 80 at a time
    • Automatic Global AutoStore
    • Individual channel-strip Scene storage
      • Up to 48 at a time, plus…
      • 50 factory presets for instruments and vocal
    • Copy and Paste between channels
    • Customizable naming (for example, "Saturday Gig" or "Main Worship Service")
    • Lockout mode to keep inspired amateurs from changing your settings
  • Metering/Displays
    • 16 x 16- LED Fat Channel matrix:
      • Pre-dynamics/pre-fader input
      • Post-dynamics/post-fader output
      • Gain reduction
      • Aux 1-6 and EFX A/B output
      • Fader-position recall
    • 8 x 15-LED main meter bank
      • Selected channel level
      • Selected channel gain reduction
      • Sub buses 1 to 4
      • Main stereo outputs
    • 15-LED horizontal Pan/Balance display
    • 64 x 194 LCD matrix
      • Effects parameters
      • Scene creation, storage, and recall
      • System menus
    • 2-digit Channel Selected display
  • Input/Output
    • 16 main inputs, each with XLR mic, ¼" line, and ¼" inserts
    • 2 ¼" stereo (L/R) aux inputs
    • 1 XLR talkback-mic input with phantom power and level control
    • Unbalanced RCA stereo (L/R) tape inputs and outputs
    • XLR stereo (L/R) main outputs with level control
    • ¼" stereo (L/R) main outputs
    • XLR mono output with level control
    • ¼" stereo (L/R) control-room outputs
    • ¼" Headphone output
    • 4 ¼" subgroup outputs
    • 6  ¼" aux outputs
    • 16 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 (DB25 sockets)
    • S/PDIF digital out
    • 2 FireWire 400 ports
  • Digitalia
    • High-definition analog-to-digital converters (118 dB dynamic range)
    • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
    • Internal sample frequency 44.1 kHz and 48 kHz
  • Physical
    • Rugged, non-flex steel chassis
    • 100 mm long-throw faders
    • Military-grade, quick-touch buttons
    • BNC 12V lamp socket
    • Optional dust covers available
  • Software bundle for Mac® and Windows® includes:
    • PreSonus Studio One® Artist digital audio workstation
    • PreSonus Capture™ live-recording software
    • PreSonus Universal Control with Virtual StudioLive™ bidirectional mixer-control software
    • Free downloadable software from the Apple App Store provides wireless remote control, including:
      • PreSonus StudioLive Remote for iPad®
      • PreSonus QMix™ for iPhone® and iPod touch®

Friday, October 19, 2012

Pearl Vision VBA Limited Edition

Starry Nights

Space Junk
----- Discountinued Product -------

Pearl Vision VBA Limited Edition

Pearl is introducing a new Limited Edition VBA drumset exclusively for Indonesia. Vision VBA delivers full Pearl Birch quality in Artisan II finishes you’ll have to see to believe. The shells are made of 6-ply birch, creating a nice low-end sound and adapting the higher frequencies slightly. This VBA drumset is equipped with a special designed Artisan II finish by Pearl. The set comes with a 22x18 undrilled Bassdrum, 10x7” and 12x8” Toms, 14x12” and 16x14” Floor toms and a matching Birchply Snare drum. All will be complemented with our 890-Series Hardware Pack.

Vision VBA is now outfitted with Remo Pinstripe tom batters and clear resonator heads, coated snare batter and clear snare head, and PowerStroke3 bass drum heads for superb sound and excellent durability. 
The Pearl Vision VBA Ltd. Edition  - consists of:
Bass drum: 22 x 18 inch
Snare drum: 14 x 5.5 inch
Tom: 10 x 7 inch
Tom: 12 x 8 inch
Floor tom: 14 x 12 inch
Floor tom: 16 x 14 inch
The Hardware set consists of:
  • Pedal: P-890
  • Hihat pedal: H-890W
  • Cymbal stand: C-890
  • Boom stand: B-890
  • Snare stand: S-890W
  • Drum throne: D-900
  • 2 x TH-900S tom mount
  • 2 x ADP-20 multi clamp
Pearl Vision VBA Ltd. Edition  :
  • Shell material: 6-ply birch
  • Shell thickness: 7.5 mm
  • Shell hardware: chrome
  • Heads: Remo
  • Colour: space junk
  • INCLUDING hardware
Cymbals not icluded!

Wednesday, October 10, 2012

AMT ELECTRONICS SS-20 Guitar Preamp



AMT ELECTRONICS SS-20 GUITAR PREAMP. 

Quickly becoming a legend known worldwide for it's AMAZING heavy metal style tube distortion. Brother to the SS-11 preamp, but the SS-20 was designed based on tigher, crunchier, more aggressive styles of guitar playing. Incredible Clean, Overdrive, Distortion, and Lead tones in a compact tube valve driven pedal. We are raising the bar and technology in modern day pedal design and offer affordable high end guitar tone pedals. This one is going to be finding its way onto lots of pedalboards! Our principle and motto for this device is it is the valve that sounds and sings, however, the transistors do their best to help it sound in all its beauty and originality. Next best option to buying an expensive amp head!

The Features of SS-20:
- High-grade high-voltage feed of triodes.
- Complete elimination of operational amplifiers traditionally used in hybrid preamps for sound amplification and processing.
- Application of special semi-conductor amplifiers modeling triode-based harmonics and providing signal amplitude necessary for high-grade valve operation.

In order to achieve the full opening of input valve cascades working in the "hottest" conditions the giant amplitude of one hundred and more volts is necessary. The dynamic properties characteristic to valve – based preamps are implemented in SS-20 due to the elimination of signal limiting OA (feed level of 20-25V) in the part of preliminary amplification and using special cascades capable of reaching 250V amplitude with nonlinearity similar to 12AX7 triode. Thus, we managed to achieve full dynamic characteristics of guitar signal without usual hybrid "squeeze" as well as assign special sound character to SS-20.

Special attention was also paid to clean channel – in this section we also followed the way of preserving the dynamics of guitar signal with simultaneous formation of soft "nonlinearity" inherent in the cascades on vacuum triodes. It also allowed us to escape both the "squeeze" and "refinement" peculiar to many clean-channels of hybrid devices.

The Architecture of SS-20:
–Ttwo high-grade channels CLEAN and DRIVE with the possibility of Drive-channel operation in two basic modes: moderate sensitivity (CRUNCH) and high sensitivity (LEAD).
– Effects Loop Send and Return.
– Operation via both direct unaltered signal for guitar amplifiers heads, combos, and speakers (OUTPUT jack) as well as speaker cabinet compensated output for mixing consoles, computers, or other recording devices.

The basis of the inner preamp structure is the principle of maximum use of amplification and nonlinear transformation of the valve part of the device. Thus, the semi-conductor part of the hybrid practically does not participate in the sound limitation (except for the use of preamp in LEAD mode at Gain LEAD level of higher than 7) and the entire spectrum is formed by the valve preamp part. In the preamp stage the quantity of semi-conductor cascades is not used in the sound processing, and in the absence of jacks in SEND and RETURN the signal is forwarded to OUTPUT through compensating circuits directly from the output triode cascade. Therefore it is advised to use high quality minimum length cables for connecting the preamp output with guitar amplifier input.

The SS-20 uses the original cabinet emulator, however, ONLY in direct out mode! It models the amplitude-frequency characteristics of guitar amplification systems for the most accurate reproduction and ease of recording direct. Secondly, it simulates own nonlinearity of dynamic head peculiar to instrumental loudspeakers, that in its turn colors the output signal with short-range harmonics making it live and closer to real. Our unique speaker emulator circuitry supplements the signal with 2nd and 3rd harmonic with smooth increase in their level at signal level growth (it actually is similar to instrumental head in the closed cabinet), not found on other manufacturers pedals.  


http://www.youtube.com/watch?feature=player_embedded&v=ekNmavG_5A8

Korg DTR-2000 BL Rackmount Tuner


Pricelist : Rp. 2.120.000,-

Rack Tuner
Korg DTR-2000 - The Digital Rack Mount Tuner Packed with Essential Features!
Korg, the instrument experts who created the world's first rack mountable tuners, now announces the new Korg DTR-2000, a rack tuner and must-have item for the professional musician, packed with all the essential features needed for a pro-guitar performance.

"The consistency of the Korg Metronomes and Tuners is unparalleled. The DTR-2000 Tuner is my favorite! I love the readout and the accuracy of this tuner. On stage it is perfect for its accuracy and visibility. It also has a very cool look that even the fans often notice." - Lee Ritenour
Features:
  • Chromatic Mode detects note name automatically
  • Three types of display: "cents", "hertz", and "strobe"
  • Seven-semitone flat tuning mode
  • Sound Out mode allows tuning in the range of C2-C5
  • Input and Output jacks
  • Adjustable Calibration of 438-445 Hz
  • Built in microphone supports acoustic guitar tuning
  • Illumination function lights up rack mounted equipment below
  • Dimensions: 18.94"(W) x 4.45"(D) x 1.81"(H)
  • Weight: 3.09 lbs
Rack-mountable tuner
The DTR-2000 is a rack mount tuner that has been redesigned for even clearer visibility from a distance when you're on stage. The LED tuning indicator moves as smoothly as a needle. The brightness increases as you approach the correct pitch, and a blue LED will light in the center when you reach the exact tuning, for unmistakable confirmation. There's a large sixteen-segment note display, and the DTR-2000 features a string indicator in addition to the note display when GUITAR/BASS modes are used.

In addition to the conventional indication in "cent" units, the Korg DTR-2000 also displays the detected pitch in "hertz", allowing twice the sensitivity of the "cent" display for even more precise tuning. You can also use a "strobe" display that indicates the difference between the input sound and the correct pitch by the left/right movement of a light. You can select either "cent" or "strobe" display for tuning. The DTR-2000 also provides a white LED lamp that points downward, illuminating any equipment placed below the DTR-2000 in a rack.
Tuning modes that support a wide range of playing styles
The DTR-2000 provides a Chromatic mode in which the note name is detected automatically, as well as Guitar (with support for 6-string and 7-string guitars), Bass, and Open Tuning modes, in which you specify the note name that will be detected. Open tunings frequently used for slide guitar or finger picking styles are supported in this rack tuner, including open D/E/G/A, as well as the popular DADGAD tuning. The Korg DTR-2000 also supports the flatted tunings used to give the sound greater depth. The seven-semitone flatted tuning mode provides for dropped tunings all the way from one-semitone down to a maximum of seven-semitones below standard pitch- a worldwide first! Two semitones lower than the five-semitone flatted tuning supported by Korg's previous guitar tuner.

Sound Out mode
In addition to visual tuning using the meter, this rack tuner provides a Sound Out mode that allows you to tune while hearing a reference pitch in the range of C2-C5. This reference pitch can be output from your amp, allowing all band members to check their tuning as well.

Input and output jacks
The DTR-2000 provides INPUT 1 and 2 jacks that allow two devices to be connected for tuning. In addition to a Mute jack that is convenient for on-stage tuning, a latch-type (alternating) foot switch can be connected to conveniently switch muting on/off. INPUT1 and MUTE jacks are also provided on the front panel for easy access. A microphone is also included in the front panel, allowing acoustic guitars to be tuned. The rear panel of this rack tuner provides INPUT1, INPUT2, SOUND OUT, OUTPUT, and MUTE jacks.

Adjustable Calibration
The Calibration function supports a variety of standard pitches, and can be adjusted in 1 Hz steps over a range of 438 - 445 Hz. The Auto Reference Calibration function detects the pitch of an instrument and sets that pitch as the reference pitch. (Accommodates a range of 428 Hz - 452 Hz)

Saturday, October 6, 2012

Sabian AAX Promotional Set (Limited Edition Cymbal Premium)

Pricelist : Rp. 11.160.000,-

Sabian AAX Limited Edition Cymbal Package delivers pure, bright shimmering tones. Like stainless steel, AAX is cool, modern, and extremely efficient. With its streamlined design and sound-shaping Auto-Focus Response feature, AAX is the ultimate breakthrough in modern cymbal making. Tap with your finger or thrash with a stick, Auto-Focus Response maximizes sensitivity, equalizes high & low pitch levels, and purifies sounds by filtering out conflicting overtones. AAX sounds are pure and accurate.

The AAX line offers perfect sound in the studio and onstage. AAX delivers the freedom to sound great in any music.

Package includes :
  • 14 inch Stage Hats pair
  • 16 inch Xplosion Crash cymbal
  • 20 inch Stage Ride cymbal and also
  • Free 18 inch Xplosion Crash cymbal. 

SABIAN AAX Stage Performance Set

Matched by the specialists in the SABIAN Vault, "Sonically Matched" sets let you play a great sounding set of cymbals... right out of the box

14" Stage Hats
16" Stage Crash
20" Stage Ride

Pricelist : Rp. 9.390.000,-

 

Friday, October 5, 2012

Samson Audio L2400 - Live 4-Bus Mixing Console

Mixing Makes the Music

A sound engineer should have the same relationship with his console that a musician has with his instrument: they should both be intuitive and comfortable in any situation. This was a major design goal during the two-year development of our L2400 mixing console.
So we put 100mm faders on all their channels and groups. Each fader feels tight with a smooth action for a studio-quality console feel. That means you're at home in every situation with greater control over every nuance.
We've also designed large, backlit mute buttons that make console navigation in dimly lit club and theater settings easy and convenient. Additionally, there's two large 12-segment LED meters for the main mix, groups and PFL/AFL. Finally, we gave these mixers the versatility to create a variety of effects settings so you can deliver a different set of effects to your performers whenever the situation demands it. And for additional effects needs, we made sure there's plenty of sends so you can use your racks of effects along side our on-board DSP.

Flexibility for Today's Live Sound Needs

Perfect for installation purposes, especially in clubs, schools, theaters and churches, the L2400 is a 24-channel / 4-bus professional mixing console. We understand the need for more aux sends, so we've provided 6 flexible aux sends that allow for up to 8 monitor and effects mixes.
A convenient talkback system makes communicating on stage no problem. Plus, both consoles offer XLR and 1/4-inch stereo main outputs and the XLR mono output has an adjustable low-pass filter specific for subwoofer output.
The L2400 offers 16 mic/line channels with preamps and 4-band EQ in addition to 4 stereo channels, of which 2 have mic preamps, providing great control and versatility.

It's All About USB

We also recognize the presence of computers in contemporary audio, so we've included USB functionality for computer recording and playback. And while there are more than a few mixing consoles with USB, the L2400 offers the capabilities to build a completely independent stereo mix specifically for your USB digital I/O.
That means that unlike other mixers in this segment, your USB mix is not locked into your house mix. The combination of USB functionality and the amount of aux sends also allows for pre-recorded background tracks to be sent to the house and monitors as a stereo mix. Thanks to the USB connectivity, these background tracks can be pre-recorded on a DAW and played back directly from your computer.

Channels: 24 input channels (24 mono)
XLR Mic: 16 mono channels + 4 stereo channels
Frequency Response: 20Hz - 20kHz
Weight: 35.71 lbs (16.2kg)
Dimensions (H x W x D): 6.38" x 31.41" x 20.98"
  (162mm x 1014mm x 533mm)
4 Stereo Line Inputs
16 Inserts
Large Illuminated Mute Switches
Stereo inserts
4 Groups with inserts
3-Band EQ with sweepable mids
6 Aux sends
Dual DSP with 100 digital multi-effects
2 Stereo aux return
USB I/O (from aux sends or main mix)
Input gain trim on each channel
24 dB Low cut filter at 75Hz
100mm faders
PFL switches
AFL switches
Phantom power switch (+ 48V)
Mono Out & LPF with sub-woofer containing variable frequency control
2 x 12-segment LED level meter for Main L/R, PFL/AFL. Group 1-4
Talkback mic input




 Service and Support
Hi-Res Images
Download a Hi-Res (300ppi) JPEG of the L2400 ( 602 KB JPG file)
Manuals
Download the L2400 English User Manual in PDF format ( 5.28 MB PDF file)
Download the L2400 French User Manual in PDF format ( 4.23 MB PDF file)
Contractor Documents
Download the L2400 Technical Sheet in PDF format ( 1.91 MB PDF file)

SAMSON L2000 - 20-channel/4-bus professional mixing console


Pricelist : Rp. 6.650.000,-

Comprehensive Features in a Compact Console

Expanding on the success of the L Series mixers, Samson has created the L2000, a 20-channel/4-bus professional mixing console. Ideal for small and medium size venues and applications of varying sizes where you still want all the comprehensive, professional features of a large console, the L2000 bridges the gap between size and functionality.
Perfect for installation purposes or as a portable mixer for gigging bands, the L2000 provides 16 mono mic/line channels with studio-quality microphone preamps and 3-band swept mid EQ. In addition, the console features 2 stereo line channels with mic preamps and 4-band EQ, along with 3 aux sends plus an EFX send. The L2000 also offers XLR and 1/4-inch stereo main outputs as well as insert points for mono mic/line inputs, group outputs and stereo main outputs.
Watch the L Series Product Video:
We've designed large, backlit mute buttons that make console navigation in dimly lit club and theater settings easy and convenient. Additionally, there's two large 12-segment LED meters for the main mix and PFL/Solo. We even gave these mixers the versatility to create a variety of effects settings so you can deliver a different set of effects to your performers whenever the situation demands it. Combine all this with a 9-band stereo graphic EQ on the master output and you've got big console performance in a small console package.

It's All About USB

Like the larger L Series consoles, the L2000 includes USB functionality for computer recording and playback. And while there are more than a few mixing consoles with USB, the L2000 offers the capabilities to build a completely independent stereo mix specifically for your USB digital I/O. That means that-unlike many other mixers-your USB mix is not locked into your house mix. You can even use background tracks pre-recorded on a DAW and integrate them into the live performance directly from your computer.
With everything you need to take a live performance to the next level, the L2000 puts the control in your hands and professionalism at your fingertips.

Features
  • 20-channel / 4-bus professional mixing console engineered for live sound
  • 16 mono mic/line channels with studio-quality microphone preamps and 3-band swept mid EQ
  • 2 stereo line channels with microphone preamps and 4-band EQ
  • XLR and 1/4" stereo main outputs
  • XLR mono subwoofer output with low-pass filter
  • Insert points for mono mic/line inputs, group outputs, stereo main outputs
  • 60mm faders on all channels, groups, and main mix
  • 24-bit DSP with 100 preset effects
  • 9-band stereo graphic EQ on master output
  • 3 aux sends plus EFX send
  • Assignable USB digital I/O for computer recording and playback
  • Oversized backlit mute switches
  • Two large 12-segment LED meters for main mix and PFL/Solo

SAMSON Auro D1800 - 18" Active Subwoofer

Pricelist : Rp. 7.650.000,- perunit

Auro goes where low-end is a must.

Samson’s Auro D1800 Active Subwoofer provides amazing lows that will bring the bottom-end of your PA setup to life. Designed with a Class D amplifier, this subwoofer packs heart-thumping power into a more efficient enclosure ideal for fixed installations, musicians, DJs and general live sound reinforcement. Auro D1800 goes where low-end is a must.
Auro D1800 has an 18-inch low frequency transducer with a robust 3-inch voice coil that drives 500 watts of RMS and 1000 watts of peak output power. In addition, its Power, Signal and Peak LED displays provide constant output monitoring.
A fixed frequency (126 Hz, 24 dB/octave) electronic crossover allows you to use Auro D1800’s balanced XLR stereo input, as well as its balanced XLR stereo full range and high-pass outputs to run your satellite speakers or daisy chain with additional subwoofers. Use the Normal/Invert phase level control to ensure that the subwoofer is in phase with the rest of your PA system.
Auro D1800 rear Panel
To ensure roadworthy durability, Auro D1800 is constructed of solid 3/4-inch plywood with a professional textured finish. The enclosure also features large metal handles that make transport a breeze, as well as a 35mm pole mount receptacle.
Auro D1800 Back

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