Thursday, December 27, 2012

Epiphone Les Paul Standard Plus Top Trans Amber (TA)



Pricelist : Rp. 6.990.000,-

Epiphone's history with legendary guitarist and innovator Les Paul dates back to the early 1940's when Les, working late at night at the Epiphone factory on 14th St. in New York City, created what might have been the world's first solidbody electric guitar, better known as "The Log." Over the years, Les continued to work closely with Epiphone luthiers reviewing new product ideas and offering suggestions. “Epiphone always made a good guitar,” Les liked to say.

Perhaps the most famous incarnation of Les' namesake solidbody, the Les Paul Standard, has remained the most sought-after guitar in the world for over 50 years. Now, Epiphone's Les Paul Standard Plus Top model offers the legendary Les Paul Standard sound with a stunning Flame maple top.

Players like Jimmy Page, Slash, Ace Frehley, Mark Knopfler, Zakk Wylde, Alex Lifeson, Neal Schon and countless others rely on the tone of the Les Paul Standard, and now you too can experience a real Les Paul Standard Plus Top at a price that won't break the bank!
 
PRODUCT FEATURES
  • Flame Maple top
  • Mahogany body
  • Alnico Classic™ humbuckers
The Epiphone Les Paul Standard Plus Top features a Solid mahogany body and Flame maple Top that deliver the classic tone and sustain that can only come from a "real" Les Paul. Like all Epiphone Les Pauls--and unlike cheap knock-offs--the Epiphone Les Paul Standard features a 14 degree headstock that gives you more pressure at the nut for more sustain with less tuning hang-ups caused by "string-tree" gadgets. A rosewood fingerboard with trapezoid inlays complete the classic Les Paul Standard Plus Top look and feel and the hand set-neck delivers outstanding string-to-body resonance. Medium-jumbo frets add to the smooth and sustained tone.

SPECIFICATIONS
 
Bodymahogany, flame maple Top
NeckHand-set, mahogany
Scale24.75”
Fingerboardrosewood
Fingerboard InlayTrapezoid
Nut Width1.68”
PickupsAlnico Classic Humbuckers
TailpieceLocking Tune-o-matic™/Stopbar

Friday, December 21, 2012

Fender Blacktop™ Jaguar® 90, Rosewood Fingerboard, 2-Color Sunburst


NEW!!!!!!!!!!!!!!!!!!!!
Model : 0148800503 
MADE IN MEXICO
 

Price Rp .6.400.000

Those who prefer their big cats to purr rather than roar will love the alluring sound and lithe form of the Blacktop Jaguar 90. For this sultry new Blacktop model, we’ve taken our humbucking pickup-equipped Blacktop Jaguar HH and outfitted it with two single-coil pickups that give it a whole new sonic personality. Distinctive features include the classic Jaguar 24” scale, skirted black amp knobs (volume, tone) and an Adjusto-Matic™ bridge with stop tailpiece.

Other features include an alder body, maple neck, 9.5”-radius rosewood fretboard with 22 medium jumbo frets and aged white position markers, three-way toggle pickup switching, three-ply pickguard (black-white-black) and chrome hardware. Available in Three-color Sunburst and Candy Apple Red.

General
Model Name: Blacktop™ Jaguar® 90
Series: Blacktop™
Color / Part #:

2-Color Sunburst
014-8800-503

Candy Apple Red
014-8800-509

Body
Body: Alder
Body Shape: Jaguar®
Body Finish:

(0148800503, 0148800509)
Polyester

Neck
Neck Shape: "C" Shape
Number of Frets: 22
Fret Size: Medium Jumbo
Position Inlays: Aged White Dots
Fretboard Radius: 9.5" (24.1 cm)
Fretboard: Rosewood
Neck Material: Maple
Neck Finish: Urethane
Nut Width: 1.650" (42 mm)
Scale Length: 24" (61 cm)
Electronics
Pickup Configuration: S/S
Bridge Pickup: Blacktop™ Jaguar® 90 Single-Coil Pickup (Bridge)
Neck Pickup: Blacktop™ Jaguar® 90 Single-Coil Pickup (Neck)
Pickup Switching: 3-Position Toggle: Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup
Controls: Master Volume, Master Tone
Hardware
Hardware: Chrome
Bridge: Adjusto-Matic™ with Anchored Tail Piece
String Nut: Synthetic Bone
Tuning Machines: Standard Cast/Sealed Tuning Machines
Miscellaneous
Strings: Fender® USA Super 250L, NPS (.009-.042 Gauges)
Accessories
Pickguards: 3-Ply Black/White/Black
Control Knobs: Skirted Amp Knobs

Fender Blacktop™ Jazz Bass®, Rosewood Fingerboard, Black



Model : 0148600506 MADE IN MEXICO

Price Rp. 7.501.000,-

Phenomenal Blacktop™ series power and performance now comes to a bold new interpretation of the venerable Jazz Bass® guitar. In one of the most distinctive iterations of the instrument ever designed, Fender introduces the Blacktop Jazz Bass.

Sleek and supercharged, the Blacktop Jazz Bass features dual Blacktop split-coil Precision Bass® pickups that pack a powerful one-two tonal punch. Other distinctive touches are three Jazz Bass control knobs (volume for each pickup and master tone) and a Blacktop HiMass™ bridge. Features include an alder body, maple neck with modern C shape and gloss urethane finish, rosewood fretboard with 9.5" radius and 20 medium jumbo frets, three-ply black-white-black pickguard, open-gear tuners and chrome hardware. Available in Black and new White Chrome Pearl.

General
Model Name: Blacktop™ Jazz Bass®
Series: Blacktop™
Color / Part #:

Black
014-8600-506

White Chrome Pearl
014-8600-523

Body
Body: Alder
Body Shape: Jazz Bass®
Body Finish:

(0148600506, 0148600523)
Polyester

Neck
Neck Shape: Modern "C" Shape
Number of Frets: 20
Fret Size: Medium Jumbo
Position Inlays: White Dot
Fretboard Radius: 9.5" (24.1 cm)
Fretboard: Rosewood
Neck Material: Maple
Neck Finish: Gloss Urethane Finish
Nut Width: 1.5" (38.1 mm)
Scale Length: 34" (86.36 cm)
Neck Plate: Standard 4 Bolt
Truss Rods: Standard Truss Rod System
Truss Rod Nut: 3/16" Hex Adjustment
Electronics
Pickup Configuration: S/S
Bridge Pickup: Blacktop™ Split Single-Coil Precision Bass® Pickup (Bridge)
Neck Pickup: Blacktop™ Split Single-Coil Precision Bass® Pickup (Neck)
Controls: Volume 1. (Middle Pickup), Volume 2. (Bridge Pickup), Master Tone
Hardware
Hardware: Chrome
Bridge: Blacktop 4-Saddle Adjustable HiMass Bridge
String Nut: Synthetic Bone
Tuning Machines: Standard Open-Gear Tuners
Miscellaneous
Strings: Fender® USA Super Bass 7250M, NPS (.045-.105 Gauges)
Accessories
Control Knobs: Vintage Style Jazz Bass® Knobs

Fender Blacktop™ Stratocaster® HH, Maple Fingerboard, Candy Apple Red


Model : 0148102509

Price List RP.6.400.000


Made In Mexico

Drive your sound with raw humbucking power. Fender's innovative Blacktop™ guitar series expands the sonic horizon of classic Fender Stratocaster®, Telecaster®, Jazzmaster® and Jaguar® guitars by powering them with high-gain humbucking pickups. The Blacktop series delivers on modern player demands for a thick and heavy sound with guitars that drive a wide array of deep, rich and aggressive tones that match the intensity of any playing style.

Sleek and supercharged, the Blacktop Stratocaster HH has dual over-wound alnico humbucking pickups, with other distinctive touches including skirted black amp knobs and a synchronized tremolo bridge. Other features include an alder body, maple neck with 9.5"-radius rosewood or maple fretboard, 22 medium jumbo frets, gloss polyester finish and chrome hardware.

General
Model Name: Blacktop™ Stratocaster® HH
Series: Blacktop™
Color / Part #:
Candy Apple Red 014-8102-509

Body
Body: Alder
Body Shape: Stratocaster®

Neck
Number of Frets: 22
Fret Size: Medium Jumbo
Position Inlays: Black Dots on Maple, White Dots on Rosewood
Fretboard Radius: 9.5" (24.1 cm)
Fretboard: Rosewood or Maple
Neck Material: Maple
Neck Finish: Gloss Urethane
Nut Width: 1.650" (42 mm)
Scale Length: 25.5" (64.8 cm)
Neck Plate: Vintage Style 4 Bolt
Truss Rod Nut: 3/16" Hex Adjustment

Electronics
Pickup Configuration: H/H
Bridge Pickup: Hot Vintage Alnico Humbucking
Neck Pickup: Hot Vintage Alnico Humbucking Pickup (Neck)
Pickup Switching: 5-Position Blade: Position 1. Full Bridge Pickup, Position 2. Two Inside Single Coils, Position 3. Both Full Humbucking Pickups, Position 4. Outer Neck Single Coil, Position 5. Full Neck Pickup
Controls: Master Volume, Tone 1. (Neck Pickup), Tone 2. (Bridge Pickup)

Hardware
Hardware: Nickel/Chrome
Bridge: Vintage-Style Synchronized Tremolo
String Nut: Synthetic Bone
Tuning Machines: Standard Cast/Sealed Tuning Machines
Switch Tip: Black or Aged White
Tremolo Arm/Handle: Vintage Style Tremolo Arm, Black Tip on (506),(509); Aged White Tip on (572)
Tools

Truss Rod Wrench: 0.1875"
Miscellaneous

Strings: Fender® USA Super 250L, NPS (.009-.042 Gauges)
Unique Features: HH Pickup Configuration, Custom Switching, Black Skirted Amp Knobs
Accessories

Included Accessories: Truss Rod Adjustment Wrench, Saddle Height Adjustment Wrench
Control Knobs: Skirted Amp Knobs

Fender Blacktop™ Telecaster® Baritone, Rosewood Fingerboard, 3-Color Sunburst


Model : 0148700500

Price List Rp.6.400.000

The Blacktop™ series presents a truly unique new model in the deeply resounding form of the Blacktop Telecaster® Baritone guitar. A true baritone Telecaster, it creates a rich sound of distinctive depth and character with a 27" scale, lowdown B-to-B tuning, and a tonally versatile triple-pickup configuration-including a full-throated humbucking bridge pickup-that covers the entire sonic spectrum from tic-tac twang to full-on kerrang!

Features include an alder body, maple neck, 9.5"-radius rosewood fretboard with 22 medium jumbo frets and aged white position markers, single-coil Telecaster neck and middle pickups, humbucking bridge pickup, five-way pickup switching, three-ply pickguard (black-white-black), skirted black amp knobs (volume and tone) and black switch tip, Blacktop Telecaster bridge and chrome hardware. Available in Classic Copper and Ghost Silver.

General
Model Name: Blacktop™ Baritone Telecaster®
Series: Blacktop™
Color / Part #:
3-Color Sunburst
014-8700-500
Ghost Silver
014-8700-581
Classic Copper
014-8700-584
Body
Body: Alder
Body Shape: Telecaster®
Body Finish:
(0148700500, 0148700581, 0148700584)
Polyester
Neck
Neck Shape: "C" Shape
Number of Frets: 22
Fret Size: Medium Jumbo
Position Inlays: Aged White Dots
Fretboard Radius: 9.5" (24.1 cm)
Fretboard: Rosewood
Neck Material: Maple
Neck Finish: Urethane
Nut Width: 1.650" (42 mm)
Scale Length: 27" (68.6 cm)
Electronics
Pickup Configuration: H/S/S
Bridge Pickup: Blacktop™ Tele® Humbucking
Middle Pickup: Blacktop™ Tele® Single-Coil Pickup (Middle)
Neck Pickup: Blacktop™ Tele® Single-Coil Pickup (Neck)
Pickup Switching: 5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickup, Position 5. Neck Pickup
Controls: Master Volume, Master Tone
Hardware
Hardware: Chrome
Bridge: Strings-Through-Body Hardtail Bridge With 6 Cast Saddles
String Nut: Synthetic Bone
Tuning Machines: Standard Cast/Sealed Tuning Machines
Miscellaneous
Strings: Fender USA (.013, .017, .020 (PL), .042, .052, .065 Gauges) Tuned to B
Accessories
Pickguards: 3-Ply Black/White/Black
Control Knobs: Skirted Amp Knobs

Fender® Select Carved Koa Top Telecaster®, Rosewood Fingerboard, Sienna Edge Burst


Model : 0170304750

Price List Rp.31.860.000

Select instruments for select individuals. Introducing Fender Select series guitars and basses-true players’ instruments that put more than six decades of Fender experience and expertise on outstandingly appointed display and bring a wealth of high-end features and elegant design options to discerning musicians everywhere. With choice tone woods, figured tops, strikingly beautiful finishes, figured and quartersawn maple necks with compound-radius fretboards, specially voiced Fender Select pickups that deliver masterful tone, and other first-rate features, the U.S.-made Select Series puts Fender’s top-line best in capable hands-yours.

The Fender Select Carved Koa Top Telecaster is a finely crafted, artfully captivating and sonically potent take on our first legendary guitar model, with a stunning Sienna Edge Burst gloss-lacquer finish on a lightweight empress body with a carved koa top. Its modern “C” shaped flame maple neck has a Bi-Flex™ truss rod system for rock-solid stability, a satin lacquer back finish and rear-headstock “Fender Select” medallion. The smooth-playing compound radius rosewood fretboard (9.5”-14”) has 22 medium jumbo frets, stylish white pearloid position inlays and a gloss lacquer finish. Crisp, clear signature sound comes from Fender Select Telecaster single-coil neck and bridge pickups with three-way switching and a no-load tone control that delivers the natural uncolored sound of the bridge pickup when dimed.

Other premium features include knurled chrome knobs, American Telecaster bridge with new American Standard bent steel saddles and stamped brass plate, deluxe staggered cast/sealed locking tuners and nickel-chrome hardware. Custom G&G Fender Select case, strap, cable and polishing cloth included.

General
Model Name: Fender® Select Carved Koa Top Telecaster®
Series: Fender® Select
Color / Part #:
Sienna Edge Burst
017-0304-750

Body
Body: Empress with Carved Koa Top
Body Shape: Telecaster®
Body Finish:
0170304750
Gloss Lacquer

Neck
Neck Shape: Modern "C" Shape
Number of Frets: 22
Fret Size: Medium Jumbo
Position Inlays: White Pearloid Dot Position Inlays
Fretboard Radius: 9.5"-14" Compound Radius (24.1 cm-35.56 cm)
Fretboard: Rosewood
Neck Material: Flame Maple
Neck Finish: Satin Lacquer on Back, Gloss Lacquer on Headstock Front with Buffed Fingerboard
Nut Width: 1.685" (42.8 mm)
Scale Length: 25.5" (64.8 cm)
Neck Plate: 4-Bolt
Truss Rods: Bi-Flex™
Truss Rod Nut: 1/8" American Series Nut

Electronics
Pickup Configuration: S/S
Bridge Pickup: Fender® Select Telecaster Single-Coil
Neck Pickup: Fender® Select Stratocaster Single Coil Pickup (Neck)
Pickup Switching: 3-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup
Controls: Master Volume, Master No-Load Tone Control

Hardware
Hardware: Nickel/Chrome
Bridge: American Standard Bent Steel Saddles and Stamped Brass Plate
String Nut: Synthetic Bone
Tuning Machines: Deluxe Staggered Cast/Sealed Locking

Miscellaneous
Strings: Fender® USA, NPS, (.009-.042 Gauges)
Unique Features: Carved Top, Fender Select Medallion

Accessories
Case/Gig Bag: Custom G&G Case
Included Accessories: Cloth, Strap, Cable
Control Knobs: Knurled Chrome

Fender Lite Rosewood Telecaster® (0170149721)


Price List Rp.25.070.000

On its 1951 introduction, the Telecaster was a revolutionary instrument that would usher in whole new eras of musical innovation and excitement. Sixty years later, in 2011, it is an archetypal electric guitar with a long and storied history. The rich history of Fender guitars begins with the Telecaster, and we’re celebrating its 60th anniversary all year with 12 very special “Tele-bration” models that stay inside the Telecaster’s famously elegant lines while offering the finest and most unusual takes on the instrument’s past, present and future.

Details
Series: Tele-bration
Body Shape: Telecaster®
Body Material: Rosewood Top and Back over Spruce Body
Body Finish: Gloss Lacquer
Neck: Maple, Modern "C" Shape
Neck Finish: Gloss Lacquer
Fretboard: Rosewood
Fretboard Radius: 9.5" (24.13 cm)
Frets: 22, Medium Jumbo
Position Inlays: Black Dot Position Inlays
Scale Length: 25.5" (64.8 cm)
Nut Width: 1.685" (42.8 mm)
String Nut: Synthetic Bone
Truss Rod: Bi-Flex™ Truss Rod System
Truss Rod Nut: 1/8" American Series Nut
Pickups: '62 Tele® Custom Single-Coil Pickup (Bridge) 62 Tele® Custom Single-Coil Pickup (Neck)
Pickup Switching: 3-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge
and Neck Pickups, Position 3. Neck Pickup
Controls: Master Volume, Master Greasebucket™ Tone Circuit (rolls off
high without adding bass)
Special Electronics: Greasebucket™ Tone Circuit (rolls off high without adding bass)
Hardware: Chrome
Tuning Keys: Standard Cast/Sealed Tuning Machines
Bridge: Vintage Style 3-Saddle Strings-Thru-Body Tele® Bridge
Control Knobs: Knurled Chrome
Pickguard: 3-Ply Parchment (8-Hole)
Strings: Fender® USA 250L, NPS, (.009-.042 Gauges)
Incl. Accessories: Cable, Strap, Polishing Cloth

Fender Custom Shop Collections Artist David Gilmour Signature Stratocaster® Black

Price List Rp.49.500.000

David Gilmour Signature Stratocaster® Overview

David Gilmour and the Fender Custom Shop are extremely proud to release one of the most highly anticipated guitars ever - the David Gilmour Signature Series Stratocaster®. Gilmour’s famous “Black Strat®” guitar was a cornerstone of the Pink Floyd sound; featured extensively on The Dark Side of the Moon, Wish You Were Here, Animals, The Wall and his critically acclaimed 2006 solo effort, On an Island. The Fender Custom Shop worked closely with Gilmour and his longtime guitar technician, Phil Taylor, to create his signature model, a reproduction of the Black Strat complete with its unmistakable look, sound and feel. Featuring a black nitrocellulose lacquer finish, alder body with black pickguard, one-piece maple neck, custom pickups, and Gilmour’s own distinctive electronics and shortened vintage tremolo arm, the David Gilmour Signature Series Stratocaster is as beautiful, powerful and individual as Gilmour’s playing. Additionally, the guitar comes with a custom case, Evidence Audio™ high-end guitar cable, Gilmour’s three-disc Live in Gdansk CD/DVD package, and a copy of Taylor’s book, The Black Strat.

NAME: David Gilmour Signature Stratocaster® NOS, Maple Fingerboard, Black
MODEL NO: 0150068806
COLOR: Black
BODY FINISH: Nitrocellulose Lacquer
FINGERBOARD: Maple
NECK FINISH: Nitrocellulose Lacquer

SPECIFICATIONS:
General
Model Name: David Gilmour Signature Stratocaster®
Model Number: 0150068
Series: Artist
Body
Body Material: Select Alder
Neck
Neck: 1983 Thin-Shouldered "C" Shape, (.790" to .870" Taper)
No. of Frets: 21
Fret Size: Vintage-Style Frets
Position Inlays: Black Dot
Fingerboard Radius: 7.25" (18.41 cm)
Neck Material: Maple
Neck Finish: Nitrocellulose Lacquer
Width at Nut: 1.675" (42.5 mm)
Scale Length: 25.5" (64.8 cm)
Neck Plate: Serialized 4 Bolt Neckplate
Fingerboard and Color Options
Part Number Color Fingerboard
0150068806 Black Maple
0150069806 Black Maple
Electronics
Pickup Configuration: S/S/S
Bridge Pickup: Seymour Duncan® SSL-5 Single-Coil Strat®
Middle Pickup: Custom-Wound Single-Coil Strat® Middle Pickup
Neck Pickup: Custom Shop Fat '50s Strat® Pickup (Neck)
Pickup Switching: 5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickup, Position 5. Neck Pickup
Controls: Master Volume, Tone 1. (Neck Pickup), Tone 2. (Middle Pickup)
Hardware
Hardware Finish: Nickel/Chrome
Bridge: American Vintage Synchronized Tremolo with Custom Beveled Tremolo Block and Shortened Tremolo Arm
Tuning Machine: Vintage Style Machine Heads
Nut: Synthetic Bone
Miscellaneous
Case: Deluxe Black Hardshell Case (Green Crushed Velvet Interior)
Accessories: Deluxe Black Hardshell Case, Evidence Audio™ High-End Guitar Cable, Custom Leather Strap, GHS® DG Boomers Strings, David Gilmour's Three Disc "Live In Gdansk" CD and DVD Package, a Copy of Phil Taylor's "The Black Strat" Book, Polishing Cloth and the Certificate of Authenticity
Unique Features: Thin-Shouldered "C" Neck Shape Duplicated from David's 1983 U.S. Vintage '57 Strat® Neck, Custom Shortened Tremolo Arm, Custom Beveled Tremolo Block, No Back Tremolo Cover Plate, Black Dot Position Inlays (Narrow Spacing), Aged White Pickup Covers, Aged Parchment Control Knobs Covers, A Faithful Re-creation of David's Infamous "Black Strat", The First 500 Sold in Either Finish Option will Include a Limited Edition, Signed Copy of "The Black Strat" Book, Autographed by the Author, David's Long-Standing Guitar Tech, Phil Taylor.
Strings: Fender® USA, NPS, (.010-.046 Gauges)
Notice Prices and Specifications Subject to Change Without Notice

Fender Custom Shop Collections Artist Jeff Beck Signature Stratocaster® Olympic White

Price List Rp. 37.500.000

Jeff Beck Signature Stratocaster® Overview

From his blistering British Invasion beginnings through his amazingly varied solo career and right up to today, Jeff Beck has made the Stratocaster® guitar an integral part of his signature sound. The Jeff Beck Signature Stratocaster features a thinner C-shaped maple neck with a rosewood fingerboard and a contoured heel for easier access to the higher registers. Further, it’s “Wired” with dual ceramic Noiseless™ pickups and has a two-point synchronized tremolo with stainless steel saddles, LSR roller nut, aged knobs and pickup covers, and Beck’s signature on the headstock.

NAME: Jeff Beck Signature Stratocaster®, Rosewood Fingerboard, Olympic White
MODEL NO: 0150083805
COLOR: Olympic White
BODY FINISH: Urethane
FINGERBOARD: Rosewood
NECK FINISH: Satin Urethane

SPECIFICATIONS:
General
Model Name: Jeff Beck Signature Stratocaster®
Model Number: 0150083
Series: Artist
Body
Body Material: Alder
Neck
Neck: Thin "C" Shape
No. of Frets: 22
Fret Size: Medium Jumbo
Position Inlays: Dot
Fingerboard Radius: 9.5" (24.1 cm)
Neck Material: Maple
Neck Finish: Satin Urethane
Width at Nut: 1.6875" (43 mm)
Scale Length: 25.5" (64.8 cm)
Neck Plate: Serialized 4 Bolt Neckplate
Fingerboard and Color Options
Part Number Color Fingerboard
0150083805 Olympic White Rosewood
0150083857 Surf Green Rosewood
Electronics
Pickup Configuration: S/S/S
Bridge Pickup: Dual-Coil Ceramic Noiseless™
Middle Pickup: Dual-Coil Ceramic Noiseless™ Middle Pickup
Neck Pickup: Dual-Coil Ceramic Noiseless™ Neck Pickup
Pickup Switching: 5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickup, Position 5. Neck Pickup
Controls: Master Volume, Tone 1. (Neck Pickup), Tone 2. (Bridge/Middle Pickup)
Hardware
Hardware Finish: Chrome
Bridge: American 2-Point Synchronized Tremolo with Stainless Steel Saddles
Tuning Machine: Sperzel® Trim-Lok™ Staggered Machine Heads
Nut: Synthetic Bone
Miscellaneous
Case: Deluxe Black Hardshell Case (Black Crushed Velvet Interior)
Accessories: Deluxe Black Hardshell Case, Strap, Cable, Custom Shop 4-Pack of Picks, Certificate of Authenticity, Polishing Cloth
Unique Features: Thinner "C" Shape Maple Neck, Contoured Heel for Easier Access to Upper Frets, LSR Roller Nut, Aged Knobs and Pickup Covers, Jeff Beck's Signature on Headstock
Strings: Fender® USA, NPS, (.010-.046 Gauges)
Notice Prices and Specifications Subject to Change Without Notice

Mapex MPX Hammered Steel Snare Drum


Price List Rp.1.125.000

authorized Mapex dealer Authorized Mapex Retailer
The Mapex MPX Hammered Steel Snare Drum is well-equipped to stand out in any playing situation. The drum's unique looking hammered, 1.0 millimeter steel shell provides bright crisp highs, punchy focused mids, and full-bodied lows. The snare drum shell is adorned with chrome hardware and low-mass lugs. Mapex delivers the MPX Hammered Steel Snare Drum with fully adjustable throw-off and Remo UX drumheads.

Features
- 1.0mm hammered steel shell
- Chrome finish
- Low-mass lugs
- Chrome hardware
- Fully adjustable throw-off
- Remo UX drum heads

Tuesday, November 20, 2012

Zildjian 18" fx Spiral Trash


Price List Rp.2.441.000

With unique overtones and an almost wave-like timbre this cymbal can expand the sound pallete of any percussion set up. An extraordinary sound and unusual shape provides countless optio
ns for percussion ensemble, marching band/drum corps or drum set.


Technical specifications
Category: FX Series
SKU: FXSPL18
Type: Percussion
Size: 18 in. / 45.72 cm.
Weight: Thin
Finish: Traditional Finish
Bell Size: Large
Profile: Flat
Pitch: Low to Mid
Sound: Bright/Mid
Volume: General
Balance: Blend
Sustain: Long
Skill level: Advanced, Beginner, Intermediate, Professional

AMPEG GVT52-212

NEW 2012!!!!!!!!!!!!!!!!
AMPEG® GVT52-212 50 watt All Tube Lead Guitar Combo
Price List Rp.11.990.000


Ampeg's GVT52-212 Guitar Combo delivers all-tube tone in a dual-channel, dual power mode (50W/25W) design. Featuring Ampeg's Baxandall EQ circuitry, 12" Celestion® speakers, rich spring reverb, effects loop, 12AX7 and 6L6 tubes for classic Americas tone. The GVT52-212 is a workhouse that always d
elivers straight up Ampeg guitar tone.

Specifications:
Dual power modes
Full power – 50 watts RMS
Half power – 25 watts RMS
Dual channels with footswitchable gain boost
Ch. 1 – low to moderate gain
Ch. 2 – moderate to high gain
Preamp: Tube ( 3 x 12AX7 )
Rectifier: Solid state
Power amp: Tube ( 2 x 6L6GC )
Speaker configuration: 2 x 12″ Celestion
Tone controls: Baxandall treble, middle and bass
Effects: Spring reverb, footswitchable
Speaker outputs: 1 x 16 ohm, 2 x 8 ohm and 2 x 4 ohm
Cabinet: Open-back, void-free 15mm plywood
Footswitches:
GVT-FS1: channel switching / gain boost (included)
GVT-FS2: 2-button footswitch for reverb and effects loop on/off (sold separately)
Dimensions (H x W x D inches excluding handle approx.): 21.0 x 26.5 x 11.0
Handling weight (approx.): 62.8 lbs / 28.5 kg

Marshall JVM410HJSB + 1960AJSB Joe Satriani

NEW!!!!!!!!!!!!!!!
Marshall JVM410HJSB + 1960AJSB Joe Satriani Blue Half Stack
Marshall JVM410HJSB Head Price List Rp.19.700.000
Marshall 1960AJSB Joe Satriani Blue Cabinet Rp.10.100.000


Marshall JVM410HJSB + 1960AJSB Joe Satriani Blue Half Stack
— The JVM410HJSB with matching 1960AJSB. Marshall have revamped the JVM410H and worked closely with Joe to offer some great new features. This Blue half stack edition is a limited edition worldwide and is only available as a head and cabinet combination.

More details:
The four reverb pots from the original JVM410 have now been replaced with noise gates; four noise gates no less, one for each channel and each with their own threshold. Another visible change to the front panel is the addition of a "Mid Shift" button that can be used for both ODI and OD2 channels, shifting the mid character of the sound to that of Joe's specification. Tone wise, the amplifier is very different: The Clean channel is based on the aforementioned 6100 when on the green mode, with the orange and red modes being hotter variations of that tone too. The crunch channel takes the original JVM410 crunch and adds some of the popular Marshall AFD circuit to it. and the OD channels are now both voiced identically, based on the JVM410 ODI but with the gain scaled back slightly and a smoother transition between modes.

Features/Specifications:

JVM410HJSB:
Type: Head
Output (RMS): 100 Watt
Channels: 2
Pre-Amp Valves: 1 x ECC83, 1 x EL34

4 Independent Noise Gates
4 Independent EQ per channel
4 Mid Shift Switch

1960AJSB:
Type: Speaker Cabinet
Output (RMS): 300 Watt
Speakers: 4 x 12" Celestion 75 speaker
Impedance: 16/4 Ohm Impedance (Mono)/8 Ohm Impedance (Stereo)
Dimensions (mm): 760 x 830 x 365
Weight (kg): 36.4Kg

FENDER Select Stratocaster



Pricelist :  Rp.31.860.000

Fender® Select Stratocaster®, Flame Maple Fingerboard, Dark Cherry Burst
Model : 0170301750

Select instruments for select individuals. Introducing Fender Select series guitars and basses-true players’ instruments that put more than six decades of Fender experience and expertise on outstandingly appointed display and bring a wealth of high-end features and elegant design options to discerning musi

cians everywhere. With choice tone woods, figured tops, strikingly beautiful fi
nishes, figured and quartersawn maple necks with compound-radius fretboards, specially voiced Fender Select pickups that deliver masterful tone, and other first-rate features, the U.S.-made Select Series puts Fender’s top-line best in capable hands-yours.

The Fender Select Stratocaster is the sonic embodiment of tone-machine elegance, featuring a stunning Dark Cherry Burst gloss-lacquer finish on a sleek flame maple-top body. Its modern “C” shaped flame maple neck has a comfortable contoured heel, Bi-Flex™ truss rod system for rock-solid stability, a satin lacquer back finish and rear-headstock “Fender Select” medallion. The smooth-playing compound radius flame maple fretboard (9.5”-14”) has 22 medium jumbo frets, stylish black pearloid position inlays and gloss lacquer finish. Pure and singing signature sound comes from new Fender Select Stratocaster single-coil neck, middle and bridge pickups with five-way switching and a no-load tone control that delivers the natural uncolored sound of the bridge pickup when dimed.

Other premium features include a three-ply pickguard (parchment-black-parchment), two-point synchronized tremolo bridge with vintage-style bent steel saddles, deluxe staggered cast/sealed locking tuners and nickel-chrome hardware. Custom G&G Fender Select case, strap, cable and polishing cloth included.

General
Model Name: Fender® Select Stratocaster®
Series: Fender® Select
Color / Part #:
Dark Cherry Burst
017-0301-750

Body
Body: Alder with Flame Maple Top
Body Shape: Stratocaster®
Body Finish:
0170301750
Gloss Lacquer

Neck
Neck Shape: Modern "C" Shape
Number of Frets: 22
Fret Size: Medium Jumbo
Position Inlays: Black Pearloid
Fretboard Radius: 9.5" (24.1 cm)
Fretboard: Flame Maple
Neck Material: Flame Maple
Neck Finish: Satin Lacquer on back, Gloss Lacquer on front
Nut Width: 1.685" (42.8 mm)
Scale Length: 25.5" (64.8 cm)
Neck Plate: Four-bolt
Truss Rods: Bi-Flex™ Truss Rod System
Truss Rod Nut: 1/8" American Series Nut

Electronics
Pickup Configuration: S/S/S
Bridge Pickup: Fender® Select Single Coil Pickup (Bridge)
Middle Pickup: Fender® Select Single Coil Pickup (Middle)
Neck Pickup: Fender® Select Single Coil Pickup (Neck)
Pickup Switching: 5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickup, Position 5. Neck Pickup
Special Electronics: No-Load Tone Control
Controls: Master Volume, Tone 1. (Neck Pickup), Tone 2. No-Load Tone Control (Middle and Bridge Pickups)

Hardware
Hardware: Nickel/Chrome
Bridge: 2-Point Synchronized Tremolo with Vintage Style Bent Steel Saddles
String Nut: Synthetic Bone
Tuning Machines: Deluxe Staggered Cast/Sealed Locking Tuning Machines

Miscellaneous
Strings: Fender® USA, NPS, (.009-.042 Gauges)
Unique Features: Contoured Heel, Fender Select Medallion

Accessories
Case/Gig Bag: Custom G&G Case
Pickguards: 3-Ply Parchment/Black/Parchment
Included Accessories: Cloth, Strap, Cable

GENZBENZ BASS AMPLIFIERS


Saturday, November 17, 2012

YAMAHA PSR-S650 Arranger Workstations




--- DISCONTINUE PRODUCT ---

Specs

Color/Finish

Body Color Black

Size/Weight

Dimensions Width 946mm (37-1/4")
Height 137mm (5-3/8")
Depth 405mm (15-15/16")
Weight Weight 7.3kg (16 lbs. 1 oz.)

Control Interface

Keyboard Number of Keys 61
Type Organ Style
Touch Response Yes
Other Controllers Pitch Bend Yes
Display Type Full Dot LCD
Size 320 x 240 dots
Color Monochrome
Contrast Yes
Score Display Function Yes
Lyrics Display Function Yes
Language English, Japanese
Panel Language English

Voices

Tone Generation Tone Generating Technology AWM Stereo Sampling
Polyphony Number of Polyphony (Max.) 64
Preset Number of Voices 357 + 28 Drum/SFX Kits + 480 XG + GM2 (for GM2 Song playback) + GS (for GS Song playback)
Featured Voices 9 MegaVoices, 12 Sweet! Voices, 22 Cool! Voices, 18 Live! Voices
Compatibility XG Yes
GS Yes
GM Yes
GM2 Yes
XF Yes

Expandability

Capacity Voice 16 MB
Style&Voice Set 820 KB
Pack Installation Yes

Effects

Types Reverb 35 types
Chorus 44 types
DSP 237 types
Master EQ 5 Preset
Functions Dual/Layers Yes
Split Yes
Panel Sustain Yes

Accompaniment Styles

Preset Number of Preset Styles 181
Fingering Multi finger, FullKeyboard AI Fingered
Style Control Intro x 3 Ending x3 Main x4 Fill In x 4
Custom User Styles Yes
Style Creator Yes
Other Features Music Database 784 + External Files
One Touch Setting (OTS) 4 for Each Style

Songs

Preset Number of Preset Songs 9
Recording Number of Songs 5
Number of Tracks 16
Data Capacity Approx. 30,000 notes (when only “melody” tracks are recorded)
Recording Function Quick Recording, Multi Recording, Song Editing
Compatible Data Format Playback SMF (Format 0 & 1), XF
Recording SMF (Format 0)

Functions

Registration Number of Buttons 8 (x 8 Banks)
Control Freeze
Demo/Help Demonstration Yes
Overall Controls Metronome Yes
Tempo Range 5–280
Transpose Yes
Tuning Yes
Octave Button Yes
Scale Type Yes

Storage and Connectivity

Storage Internal Memory 1,130 KB
External Drives Optional USB flash Memory (via USB TO DEVICE)
Connectivity DC IN DC IN 16V
Headphones Yes
Sustain Pedal Yes
USB TO DEVICE Yes
USB TO HOST Yes

Amplifiers and Speakers

Amplifiers 12 W + 12 W
Speakers 12 cm x 2 + 3 cm x 2

Power Supply

Power Supply PA-301 or equivalent (included)
Power Consumption 25 W (When using PA-300/301 power adaptor)
Auto Power Off Function Yes

Saturday, November 10, 2012

BOSS DD-3 Digital Delay


DD-3: Digital Delay

This compact pedal provides a digital delay effect with outstanding quality equivalent to that of a dedicated rackmount delay unit, all with simple stompbox-style control.

  • Compact delay pedal with superb BOSS sound quality
  • Provides 3 delay time modes and a Delay Time control for quick adjustment of exact delay time between 12.5ms - 800ms
  • Hold function repeats delay sound indefinitely for interesting effects
Pricelist : Rp. 1.715.000,-

BOSS AD-3 Acoustic Instrument Processor

 

A floor-based preamp/effects processor designed for acoustic instruments.

Features
Developed for stage and studio use, the AD-3 gives acoustic-electric guitarists a warmer, richer sound thanks to its Tone shaping controls specially tailored for acoustic-electric guitars, high-quality Reverb and chorus, as well as a built-in Feedback eliminator. Quite simply, this compact pedal is an acoustic musician's best friend.
* Compact acoustic instrument processing pedal developed exclusively for acoustic-electric guitarists
* Footswitchable Bi-Stereo chorus offers split-frequency processing (Low and High) for natural, smooth chorus effect
* Studio-quality Reverb provides clear, deep reverberation specially tuned for acoustic guitar
* Newly developed "Bottom" and "Top" controls offer variable tonal shaping to eliminate "dry" sound from piezo pickups and add rich, resonant lows and brilliant highs
* Special Guitar Amp output provides proper impedance and tonal balance for connection to a guitar amp
* Stereo balanced outputs allow for direct connection to PA
* Automatic Feedback Eliminator can be manually set to eliminate feedback or can be set to "Auto" mode via footpedal
* Battery or AC-powered for maximum flexibility

Price : Rp.1.670.000

Friday, October 26, 2012

PreSonus StudioLive 16.4.2 Digital Mixer



 Pricelist : Rp. 29.925.000,-

More Than a Mixer—a Complete System


You'll never go back to an old-skool analog mixer once you've used StudioLive™. With its incredible signal-processing power on every channel, easy store and recall of every setting, and the ability to record it all with just two mouse clicks, you'll get spoiled fast! Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, it delivers the most creative environment possible for both live performance and studio music production.
But StudioLive is not simply a mixer, it's a rapidly growing family of state-of-the-art, integrated hardware-software mixing and recording systems that deliver the features you need for live sound, live recording, and studio recording.
The StudioLive 16.4.2 is a great choice for those who want to mix smaller shows and worship services, and it's a great choice for small club systems, portable churches, small bands, corporate applications, educational institutions, and anywhere you want a rack-mount mixer. It's the perfect hardware core for a project studio.
Or daisy-chain two StudioLive 16.4.2s to form a 32x4x2 performance and recording console for mid-sized shows and events.
Here, in one device, are high-headroom XMAX™ microphone preamplifiers, a built-in FireWire recording and playback interface, more than 90 signal processors, a big library of DSP effects, 6 aux buses, 4 subgroups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback, and more.
Yet despite its many controls and features, it's compact, rack-mountable, and easy to transport.
Build live mixes that glisten with clarity and detail—then record and enhance the performance with the power of StudioLive 16.4.2. Get creative in the studio. Build mixes, loops, sound effects, and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins and completely automate your entire performance.
StudioLive 16.4.2 revolutionizes music production, opening endless creative possibilities.

Control Your Sound Your Way!

With a PreSonus StudioLive-series digital mixer, you not only get high-end sound and tremendous processing, mixing, and recording power, you can control all of this sonic might from virtually anywhere. Want to touch your mix with the physical feedback of real faders and rotary knobs and an intuitive, analog-like user interface? The StudioLive delivers big time; sound people who have only mixed with analog boards quickly become comfortable working with a StudioLive.
↓ Read more about the StudioLive’s analog-like ease-of-use.

Virtual StudioLive: The magic of computer control.

Despite its analog-like mixing surface, this is very much a digital console, and it offers features no analog mixer—and very few digital boards—can match. For example, the ability to control the StudioLive mixer from a laptop adds tremendous flexibility and convenience—and with the bundled Virtual StudioLive bidirectional control/editor/librarian software, you get it all for free.
Written exclusively for StudioLive mixers, Virtual StudioLive (VSL) provides a complete visual representation of the mixer, allowing you to control the features with a mouse, trackpad, or trackball on a FireWire-equipped Mac® or PC. Add third-party VPN software, and you can even control StudioLive mixers over the Internet—ideal for contractors. To get a competing mixer with computer control even close to this complete, you'd have to pay several times as much.
Learn more about Virtual StudioLive.

Even better: wireless control!

You’re mixing a live show with an old-skool mixer—make that any mixer other than StudioLive—and you need to check the sound underneath the balcony—or in the balcony, for that matter. Or you’re sound-checking and want to hear the stage monitors for yourself. If you can’t leave the mixing station, you have to rely on someone else’s ears. If you don’t have a reliable crew, you don’t have a chance.
You can say goodbye to that problem if you use a 16.4.2 and an Apple iPad®! With StudioLive Remote for iPad—available free from the Apple App Store—you have complete, real-time, wireless remote control over Virtual StudioLive, which in turn offers real-time control over the StudioLive mixer. As long as you have a wireless connection between your iPad and computer (and are connected via FireWire to the 16.4.2), you are in control of the console. StudioLive Remote is easy to use, provides control of almost every feature of the StudioLive, and looks and feels like an iPad app should.
Learn more about StudioLive Remote.

Yet even better: control of monitor mixes from iPhones and iPod touches!

We've given you a lot of sonic control with the StudioLive, Virtual StudioLive, and StudioLive Remote. It's only fair that we help you give the band control of their sound, too. With PreSonus' free QMix™, each band member can control their own StudioLive aux (monitor) mix from an iPhone® or iPod® touch. QMix lets you adjust a single aux mix per iPhone. Select inputs and levels for your custom monitor mix, and then use the Wheel of Me to get, well… “more me”… quickly during performances.
You can even set permissions to ensure that the bass player, always the practical joker, can't mess with the hot-tempered lead singer's monitor mix. Otherwise, that bass player is going to get in trouble someday. We're just sayin'….
Learn more about QMix.
The level of control you get with PreSonus StudioLive-series mixers is beyond cool—it's absolutely ice! Now you can control your sound from anywhere you choose—no limits! Only with PreSonus StudioLive.

A gigantic console in a small package thanks to the Fat Channel.

If StudioLive 16.4.2 were an analog console, it would have 4-foot-long channel strips packed with knobs and buttons or it would require a massive outboard rack of expensive signal processors! That's because each channel has its own compressor, limiter, gate, 4-band semi-parametric equalizer, and high-pass filter. In all, we've packed 31 compressors, 31 limiters, 31 gates, 16 high-pass filters, and more, into one remarkable Fat Channel.
 ↓ Read more: Fat Channel signal processing and effects.

Not just effects. Effects you'd expect from a $600 stand-alone processor.

You get two programmable, 32-bit, stereo DSP effects engines, loaded with 50 reverbs, delays, and time-based effects that you can really use. The reverbs are so rich and detailed that you feel like you're there. Delays are precise. Slap echo sounds like old-school tape effects.
All 50 effects have easy-to-use parameter adjustment, tap tempo, store, recall, and Scene selection for ultimate creative flexibility.

↓ Read more: A complete listing of effects presets.
The reverbs are so rich and detailed that you feel like you’re there. Delays are precise. Slap echo sounds like old-skool tape effects. All 50 effects have easy-to-use parameter adjustment, tap tempo, and store and recall selection for the ultimate in creative flexibility.
The StudioLive 16.4.2's 4 dual, 31-band graphic equalizers can be applied to the main, subgroup, and aux outputs so you can compensate for room acoustics, speaker response, and much more.
Furthermore, with Smaart Measurement Technology™, you'll be able to really put StudioLive's graphic EQ to work improving the sound of your P.A. Precisely identify nasty feedback frequencies. Get your loudspeakers to play nicer with the room they're in — all without having a degree in acoustical engineering.

What was then is now: complete store and recall.

Two factors work against getting that Perfect Mix with an analog mixer. First, the Perfect Mix can be hard to reproduce a week, day, or hour after you perfect it. And second, a good mix should be dynamic: levels, effects, and EQ should be tailored to each song or segment of the show, service, or presentation. This adds up to a lot of settings to remember and reset at every performance.
That's where the power of digital comes in: StudioLive lets you save all of your digital settings for quick setup and recall. Save Scenes that include every setting on the mixer or save just the Fat Channel settings. Copy-and-paste settings across multiple channels. Save individual DSP effects for ultimate ease, speed, and control.
This means that for fixed applications like clubs, churches, and auditoriums, you can always count on the same sound and can fine-tune Scenes for different songs and call them up instantly. And it lets rank amateur volunteers successfully operate the StudioLive 16.4.2.
↓ Read more: Store and recall made easy.
↓ Read more: Sample list of channel presets.

Recording made easy with Capture™

If you have a computer with 6-pin FireWire, you have a 32-track digital recorder instantly ready to capture your gig, church service, or presentation. That’s because StudioLive 16.4.2 features a tightly integrated FireWire interface that delivers up to 32 channels of recording and up to 18 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre- or post-Fat Channel signal processing, delivering total flexibility and power.
Just two mouse clicks engages Capture™ recording software. When you install it on your laptop, it automatically “maps” to the outputs of the 16.4.2 to automatically record all 16 input channels—or 32 channels if you’ve chained two StudioLive 16.4.2s.
↓ Read more: Recording with Capture
Learn more about Capture.

Studio One® Artist — A serious digital audio workstation.

Once you’re recorded studio tracks or a live multi-track performance, it’s time to finish it with effects and a good mix (not to mention editing out that huge burst of feedback during the third song).
Studio One is a groundbreaking music-creation and -production application for Mac OS X and Windows® that makes audio recording and MIDI sequencing ridiculously simple right out of the box.
Studio One changes the rules of the game with fresh code, innovative drag-and-drop features, advanced MIDI mapping, auto-configuration with your StudioLive 16.4.2, insanely good audio quality, unlimited tracks and plug-ins per track, and a powerful, inventive Start page. Studio One Artist also comes with a Native Effects™ 32-bit effects library, complete with dynamics processors, reverbs, modulation effects, amp simulators, and more. And with Studio One's Nimbit® extension, you can immediately start selling your music.
Learn more about Studio One.

Inside, it's pure PreSonus.

Ease of use and powerful features only count if the sound quality is equally impressive. After all, it really comes down to how good those microphone preamps are, how clean the signal path is, and how well the algorithms perform.
That's why you should choose a digital mixer made by PreSonus, a company already famous for its analog mic preamps, pristine digital interfaces, and well-regarded signal processors.
XMAX™ Class A preamplifiers deliver more headroom, deeper lows, smoother highs, and a richer overall sound than the preamps found in competing mixers. Ultra-high-headroom, 32-bit floating-point processing is used for all digital mixing. All analog inputs and outputs use the highest quality digital converters available.
↓ Read more about XMAX preamps.
Synchronization to your computer is stable and robust, thanks to JetPLL™ synchronization technology, resulting in great stereo separation and clear, transparent audio.
↓ Read more about A/D/A and Jet PLL.

StudioLive expands with your input needs.

Need more than 16 channels for mixing and recording? Daisy-chain two StudioLive 16.4.2s via their FireWire ports to get up to 32 input channels and 8 submix buses. You can still record and can simultaneously control the StudioLive with Virtual StudioLive for Mac and Windows and StudioLive Remote for iPad.
If you need more than 16 channels for recording, and you don't need a full channel strip for the additional inputs, you can daisy-chain a StudioLive 16.4.2 with any PreSonus FireStudio-series interface. It could not be simpler.

Which StudioLive is best for you?

Your mixing and recording needs aren't necessarily exactly the same as everyone else's. That's why we created a StudioLive family of digital mixers, starting with the StudioLive 16.0.2, 16.4.2, and 24.4.2.
Why choose StudioLive 16.4.2 rather than StudioLive 16.0.2? The StudioLive 16.4.2 has more mic preamps, more FireWire streams, more graphic EQs, longer-throw faders, more bands of semi-parametric EQ, and more meters than the StudioLive 16.0.2, and it can be rack-mounted without requiring an adapter. It has digital outs and analog direct outs, and you can daisy-chain two 16.4.2s to create a larger system; the 16.0.2 does not have these features.
On the other hand, the StudioLive 16.0.2 is more compact and lighter than the 16.4.2, it's less expensive, and it has a very cool feature that the larger StudioLives don't offer: MIDI control over main output level, effects levels and routing, and Scene change.

You've read the book. Now see the movies.

We've provided plenty of written material about StudioLive. In addition, you can go to the Video tab on the upper section of this page and watch a whole series of instructional videos showing StudioLive mixers in church, club, and project-studio applications. Video blogs go into detail about various powerful StudioLive features. And we regularly add new videos.
Reading about the StudioLive 16.4.2 is a good start but nothing beats actually getting your hands on one, so visit your nearest PreSonus dealer today. Use our Where to Buy section to locate your nearest PreSonus dealer.
You'll see what we mean about intuitive ease-of-use. You'll hear what we mean about Class A preamps, rich DSP effects, and overall sound quality. And when you have seen and heard it for yourself, you'll understand why your new mixer should be a StudioLive—the most exciting small-format digital mixer on the planet.

Smaart Measurement Technology

We've begun to incorporate Rational Acoustics' highly regarded Smaart Measurement Technology™ directly into our Virtual StudioLive™ remote-control/editor/librarian software for StudioLive™ mixers.
↓ Read more: What is Smaart?
The first module from Smaart Measurement Technology to be implemented is Smaart Spectra™, which is part of PreSonus Universal Control 1.6 and later. (Download Universal Control free from the Technical Support section of the PreSonus Web site.)
Now you can really put StudioLive's graphic EQ to work improving the sound of your P.A. Precisely identify nasty feedback frequencies. Get your loudspeakers to play nicer with the room they're in — all without having a degree in acoustical engineering. VSL’s Smaart implementation is accessible and intuitive, so that inexperienced users can make basic adjustments to the system, and experienced users can adjust the system quickly and precisely.

See the spectral content of your mix in real time. Then do something about it.

When you click on the Graphic Equalizer button in Universal Control 1.6, Smaart Spectra’s Spectrograph and real-time analyzer algorithms go to work, showing you the spectral content of whatever is routed though a particular graphic EQ.
You can also activate a real-time analyzer, much like the Studio One™ 2 plug-in, and view what you are hearing. Can’t tell if your mix has too much low end or your room is boomy? Use the RTA to see where your mix has gone awry and clean it up!
But the real magic is Smaart's unique Spectrogram display.

Audio in three dimensions.


The Smaart Spectra Spectrogram shows level versus frequency versus time. It graphs a continuous series of Spectrum measurements with frequency on one axis, time on another, and level indicated by colors. The display responds in real time as you adjust the graphic EQ.
↓ Read more about the Smaart Spectrogram.
↓ Use case: Ringing out feedback with Smaart Spectrograph 

All the advantages of VSL, too!

Because Smaart is integrated into VSL, its features can be wirelessly remote-controlled using StudioLive Remote 1.3 or later for iPad® — a free download from the Apple App Store. You can even use third-party VPN software to remote-control VSL, and therefore, Smaart, over the Internet—so contractors can help solve clients’ sonic emergencies without being physically present.
This is just the start of a beautiful relationship with Rational Acoustics — PreSonus products are about to get a lot Smaarter!

FEATURES:
  • 16 mic/line inputs with high-headroom Class A XMAX™ mic preamplifiers
  • 4 subgroups
  • Stereo/mono main out
  • 6 auxiliary mixes
  • 32-in/18-out FireWire digital recording ­interface (24-bit/44.1 kHz and 48 kHz)
  • Studio One Artist Digital Audio Workstation software for Mac® and PC
  • Capture™ 1.1 recording software for Mac® and PC
  • StudioLive Remote mixer-control software for iPad® available free from Apple App Store
  • QMix™ aux-control software for iPhone® and iPod touch® available free from Apple App Store
  • Direct recording interface compatible with Logic®, Nuendo, Cubase, Sonar™, Digital Performer™, Ableton™ Live, and more
  • 16 channel strips
  • Trim control with –20 to +20 dBV line/-15 to +65 dBu mic gain range (80dB!)
  • +48V phantom power switch for condenser microphones
  • FireWire Input Select
  • 100 mm precision faders
  • Lighted Solo and Mute buttons
  • Access to Fat Channel functions
  • 15-LED ladder metering + clip LED
  • Analog ¼" insert (rear panel)
  • 4 subgroup buses, each with:
    • Solo
    • Mute
    • Access to Fat Channel functions (except high-pass filter and phase reverse)
  • 6 aux sends, each with
    • Solo
    • Pre/post-fader send
    • Output-level control
    • Access to Fat Channel functions (except phase reverse)
    • Mix and Mix/Pan Fat Channel metering
    • Available sources:  Channels 1-16, FXA Return, FXB Return
  • 2 internal effects sends, each with:
    • Mute
    • Pre/post-fader send
    • Output-level control
    • Access to Fat Channel (except phase reverse)
    • Effects-send Select for Fat Channel metering
    • Mix button for aux-bus mixing and Fat Channel metering
  • Master Section
    • Aux Input A and B
    • Level Control and Select (Fat Channel ­metering) switch
    • Access to all Fat Channel functions (except phase reverse)
    • Talkback System
      • Mic Level control
      • Output Select (   Aux 1-2, 3-4, 5-6, Main)
      • Talk button
      • Rear-panel XLR mic input with level control and continuous 48V phantom power
    • 2 Track In
      • Level control
      • Tape Input to Mains button
      • FireWire source on/off
    • Solo Bus
      • Cue Mix volume control
      • PFL/AFL and Solo In Place (SIP) buttons
    • Monitor Bus
      • Headphone-output level control
      • Control-room monitor-level control
      • Solo Bus to Monitor button
      • Tape Input to Monitor button
      • Main L/R FireWire Return to Monitor button
      • Main Mix to Monitor button 
  • Fat Channel with rotary encoders:
    • Pan with dedicated 15-LED display
    • Stereo link for input channels, aux buses, and subgroups
    • Phase reverse (main channels only)
    • High-pass filter: 6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)
    • 4-band semi-parametric equalization
      • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
      • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, switchable 0.55/2.0 Q
      • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, switchable 0.55/2.0 Q
      • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
    • Gate: Threshold 0 to –84 dB; Rate: 2 to 0.05 sec
    • Compressor: Threshold -56 to 0 dB, Ratio 1:1 to 14:1, Attack 0.2 to 150 ms, Release 40 to 1000 ms, Makeup Gain 0 to 28 dB, Soft Knee switch, Auto Mode with 10 ms Attack and 150 ms Release
    • Limiter: 0 dBFS Threshold, ∞:1 Ratio
    • Output Assign: 4 subgroups and main with post-EQ/post-dynamics option
    • All settings can be copied among channels and saved as user presets.
    • 50 channel-strip presets for drums, bass, guitars, keyboards, and vocals
  • 2 internal digital effects-processors, each with 50 customizable reverb and delay presets
    • 31-band graphic equalizers
      • Available on Main Outputs only
    • Scene Store and Recall
    • Global Scene Storage: all current StudioLive settings
      • Up to 80 at a time
    • Automatic Global AutoStore
    • Individual channel-strip Scene storage
      • Up to 48 at a time, plus…
      • 50 factory presets for instruments and vocal
    • Copy and Paste between channels
    • Customizable naming (for example, "Saturday Gig" or "Main Worship Service")
    • Lockout mode to keep inspired amateurs from changing your settings
  • Metering/Displays
    • 16 x 16- LED Fat Channel matrix:
      • Pre-dynamics/pre-fader input
      • Post-dynamics/post-fader output
      • Gain reduction
      • Aux 1-6 and EFX A/B output
      • Fader-position recall
    • 8 x 15-LED main meter bank
      • Selected channel level
      • Selected channel gain reduction
      • Sub buses 1 to 4
      • Main stereo outputs
    • 15-LED horizontal Pan/Balance display
    • 64 x 194 LCD matrix
      • Effects parameters
      • Scene creation, storage, and recall
      • System menus
    • 2-digit Channel Selected display
  • Input/Output
    • 16 main inputs, each with XLR mic, ¼" line, and ¼" inserts
    • 2 ¼" stereo (L/R) aux inputs
    • 1 XLR talkback-mic input with phantom power and level control
    • Unbalanced RCA stereo (L/R) tape inputs and outputs
    • XLR stereo (L/R) main outputs with level control
    • ¼" stereo (L/R) main outputs
    • XLR mono output with level control
    • ¼" stereo (L/R) control-room outputs
    • ¼" Headphone output
    • 4 ¼" subgroup outputs
    • 6  ¼" aux outputs
    • 16 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 (DB25 sockets)
    • S/PDIF digital out
    • 2 FireWire 400 ports
  • Digitalia
    • High-definition analog-to-digital converters (118 dB dynamic range)
    • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
    • Internal sample frequency 44.1 kHz and 48 kHz
  • Physical
    • Rugged, non-flex steel chassis
    • 100 mm long-throw faders
    • Military-grade, quick-touch buttons
    • BNC 12V lamp socket
    • Optional dust covers available
  • Software bundle for Mac® and Windows® includes:
    • PreSonus Studio One® Artist digital audio workstation
    • PreSonus Capture™ live-recording software
    • PreSonus Universal Control with Virtual StudioLive™ bidirectional mixer-control software
    • Free downloadable software from the Apple App Store provides wireless remote control, including:
      • PreSonus StudioLive Remote for iPad®
      • PreSonus QMix™ for iPhone® and iPod touch®

Friday, October 19, 2012

Pearl Vision VBA Limited Edition

Starry Nights

Space Junk
----- Discountinued Product -------

Pearl Vision VBA Limited Edition

Pearl is introducing a new Limited Edition VBA drumset exclusively for Indonesia. Vision VBA delivers full Pearl Birch quality in Artisan II finishes you’ll have to see to believe. The shells are made of 6-ply birch, creating a nice low-end sound and adapting the higher frequencies slightly. This VBA drumset is equipped with a special designed Artisan II finish by Pearl. The set comes with a 22x18 undrilled Bassdrum, 10x7” and 12x8” Toms, 14x12” and 16x14” Floor toms and a matching Birchply Snare drum. All will be complemented with our 890-Series Hardware Pack.

Vision VBA is now outfitted with Remo Pinstripe tom batters and clear resonator heads, coated snare batter and clear snare head, and PowerStroke3 bass drum heads for superb sound and excellent durability. 
The Pearl Vision VBA Ltd. Edition  - consists of:
Bass drum: 22 x 18 inch
Snare drum: 14 x 5.5 inch
Tom: 10 x 7 inch
Tom: 12 x 8 inch
Floor tom: 14 x 12 inch
Floor tom: 16 x 14 inch
The Hardware set consists of:
  • Pedal: P-890
  • Hihat pedal: H-890W
  • Cymbal stand: C-890
  • Boom stand: B-890
  • Snare stand: S-890W
  • Drum throne: D-900
  • 2 x TH-900S tom mount
  • 2 x ADP-20 multi clamp
Pearl Vision VBA Ltd. Edition  :
  • Shell material: 6-ply birch
  • Shell thickness: 7.5 mm
  • Shell hardware: chrome
  • Heads: Remo
  • Colour: space junk
  • INCLUDING hardware
Cymbals not icluded!

Wednesday, October 10, 2012

AMT ELECTRONICS SS-20 Guitar Preamp



AMT ELECTRONICS SS-20 GUITAR PREAMP. 

Quickly becoming a legend known worldwide for it's AMAZING heavy metal style tube distortion. Brother to the SS-11 preamp, but the SS-20 was designed based on tigher, crunchier, more aggressive styles of guitar playing. Incredible Clean, Overdrive, Distortion, and Lead tones in a compact tube valve driven pedal. We are raising the bar and technology in modern day pedal design and offer affordable high end guitar tone pedals. This one is going to be finding its way onto lots of pedalboards! Our principle and motto for this device is it is the valve that sounds and sings, however, the transistors do their best to help it sound in all its beauty and originality. Next best option to buying an expensive amp head!

The Features of SS-20:
- High-grade high-voltage feed of triodes.
- Complete elimination of operational amplifiers traditionally used in hybrid preamps for sound amplification and processing.
- Application of special semi-conductor amplifiers modeling triode-based harmonics and providing signal amplitude necessary for high-grade valve operation.

In order to achieve the full opening of input valve cascades working in the "hottest" conditions the giant amplitude of one hundred and more volts is necessary. The dynamic properties characteristic to valve – based preamps are implemented in SS-20 due to the elimination of signal limiting OA (feed level of 20-25V) in the part of preliminary amplification and using special cascades capable of reaching 250V amplitude with nonlinearity similar to 12AX7 triode. Thus, we managed to achieve full dynamic characteristics of guitar signal without usual hybrid "squeeze" as well as assign special sound character to SS-20.

Special attention was also paid to clean channel – in this section we also followed the way of preserving the dynamics of guitar signal with simultaneous formation of soft "nonlinearity" inherent in the cascades on vacuum triodes. It also allowed us to escape both the "squeeze" and "refinement" peculiar to many clean-channels of hybrid devices.

The Architecture of SS-20:
–Ttwo high-grade channels CLEAN and DRIVE with the possibility of Drive-channel operation in two basic modes: moderate sensitivity (CRUNCH) and high sensitivity (LEAD).
– Effects Loop Send and Return.
– Operation via both direct unaltered signal for guitar amplifiers heads, combos, and speakers (OUTPUT jack) as well as speaker cabinet compensated output for mixing consoles, computers, or other recording devices.

The basis of the inner preamp structure is the principle of maximum use of amplification and nonlinear transformation of the valve part of the device. Thus, the semi-conductor part of the hybrid practically does not participate in the sound limitation (except for the use of preamp in LEAD mode at Gain LEAD level of higher than 7) and the entire spectrum is formed by the valve preamp part. In the preamp stage the quantity of semi-conductor cascades is not used in the sound processing, and in the absence of jacks in SEND and RETURN the signal is forwarded to OUTPUT through compensating circuits directly from the output triode cascade. Therefore it is advised to use high quality minimum length cables for connecting the preamp output with guitar amplifier input.

The SS-20 uses the original cabinet emulator, however, ONLY in direct out mode! It models the amplitude-frequency characteristics of guitar amplification systems for the most accurate reproduction and ease of recording direct. Secondly, it simulates own nonlinearity of dynamic head peculiar to instrumental loudspeakers, that in its turn colors the output signal with short-range harmonics making it live and closer to real. Our unique speaker emulator circuitry supplements the signal with 2nd and 3rd harmonic with smooth increase in their level at signal level growth (it actually is similar to instrumental head in the closed cabinet), not found on other manufacturers pedals.  


http://www.youtube.com/watch?feature=player_embedded&v=ekNmavG_5A8

Korg DTR-2000 BL Rackmount Tuner


Pricelist : Rp. 2.120.000,-

Rack Tuner
Korg DTR-2000 - The Digital Rack Mount Tuner Packed with Essential Features!
Korg, the instrument experts who created the world's first rack mountable tuners, now announces the new Korg DTR-2000, a rack tuner and must-have item for the professional musician, packed with all the essential features needed for a pro-guitar performance.

"The consistency of the Korg Metronomes and Tuners is unparalleled. The DTR-2000 Tuner is my favorite! I love the readout and the accuracy of this tuner. On stage it is perfect for its accuracy and visibility. It also has a very cool look that even the fans often notice." - Lee Ritenour
Features:
  • Chromatic Mode detects note name automatically
  • Three types of display: "cents", "hertz", and "strobe"
  • Seven-semitone flat tuning mode
  • Sound Out mode allows tuning in the range of C2-C5
  • Input and Output jacks
  • Adjustable Calibration of 438-445 Hz
  • Built in microphone supports acoustic guitar tuning
  • Illumination function lights up rack mounted equipment below
  • Dimensions: 18.94"(W) x 4.45"(D) x 1.81"(H)
  • Weight: 3.09 lbs
Rack-mountable tuner
The DTR-2000 is a rack mount tuner that has been redesigned for even clearer visibility from a distance when you're on stage. The LED tuning indicator moves as smoothly as a needle. The brightness increases as you approach the correct pitch, and a blue LED will light in the center when you reach the exact tuning, for unmistakable confirmation. There's a large sixteen-segment note display, and the DTR-2000 features a string indicator in addition to the note display when GUITAR/BASS modes are used.

In addition to the conventional indication in "cent" units, the Korg DTR-2000 also displays the detected pitch in "hertz", allowing twice the sensitivity of the "cent" display for even more precise tuning. You can also use a "strobe" display that indicates the difference between the input sound and the correct pitch by the left/right movement of a light. You can select either "cent" or "strobe" display for tuning. The DTR-2000 also provides a white LED lamp that points downward, illuminating any equipment placed below the DTR-2000 in a rack.
Tuning modes that support a wide range of playing styles
The DTR-2000 provides a Chromatic mode in which the note name is detected automatically, as well as Guitar (with support for 6-string and 7-string guitars), Bass, and Open Tuning modes, in which you specify the note name that will be detected. Open tunings frequently used for slide guitar or finger picking styles are supported in this rack tuner, including open D/E/G/A, as well as the popular DADGAD tuning. The Korg DTR-2000 also supports the flatted tunings used to give the sound greater depth. The seven-semitone flatted tuning mode provides for dropped tunings all the way from one-semitone down to a maximum of seven-semitones below standard pitch- a worldwide first! Two semitones lower than the five-semitone flatted tuning supported by Korg's previous guitar tuner.

Sound Out mode
In addition to visual tuning using the meter, this rack tuner provides a Sound Out mode that allows you to tune while hearing a reference pitch in the range of C2-C5. This reference pitch can be output from your amp, allowing all band members to check their tuning as well.

Input and output jacks
The DTR-2000 provides INPUT 1 and 2 jacks that allow two devices to be connected for tuning. In addition to a Mute jack that is convenient for on-stage tuning, a latch-type (alternating) foot switch can be connected to conveniently switch muting on/off. INPUT1 and MUTE jacks are also provided on the front panel for easy access. A microphone is also included in the front panel, allowing acoustic guitars to be tuned. The rear panel of this rack tuner provides INPUT1, INPUT2, SOUND OUT, OUTPUT, and MUTE jacks.

Adjustable Calibration
The Calibration function supports a variety of standard pitches, and can be adjusted in 1 Hz steps over a range of 438 - 445 Hz. The Auto Reference Calibration function detects the pitch of an instrument and sets that pitch as the reference pitch. (Accommodates a range of 428 Hz - 452 Hz)

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